This Thursday evening 3 heavy metal bands played in Barba Negra, on the same day as Megadeth and Five Finger Death Punch performed in the Arena. On my way there I was wondering about how many people I will see in the venue when I arrive, but when I saw the queue around the entrance I knew this show would be sold out or at least close to it. (later I learned it was actually sold out)
Out of the three bands I was familiar with two, Battle Beast and Hammerfall, having seen each of them twice before. Based on their name < Serious Black>, I draw the conclusion that they must play in the same genre as Hammerfall and I couldn’t be more right. When I entered the venue, they were just starting the show, the sound and the image of the band was just pure heavy metal, nothing more, nothing less. Sometimes less is more. I looked around and I saw people from all ages already having the most fun, kids, teenagers, parents and even grandparents. This genre, I would say, is the one that closes the gap between generations when it comes to music preferences. The youth loved it because it was catchy, very energetic and the band really knew how to hype the crowd. On the other hand, the older generation, I guess, grew up on this exact sound and this is what they think of when they say music was better when they were younger. Of course, this was true for the whole night, not only for Serious Black. People were enjoying the opening show, they were jumping, they were clapping and singing when asked to J , but the most important part is that they were there, listening to them. We often go to events where there is considerably less people before the headliner starts and I was happy to see this was not one of those nights. Serious Black are coming back in September and I’m sure there will be many people who will join after seeing them opening for Hammerfall.
The next act on stage was Battle Beast, a band I enjoy a lot! I got into metal by listening to female fronted bands and what I like most about Battle Beast is that they are nothing like them. Not that I would not love those anymore, cause I do, but because of the surprise element they have. I guess everybody, including me expects a high pitched voice or exactly the opposite, some growls when it comes to female singers in metal bands.
Noora doesn’t meet any of those expectations, she has a very strong voice with a great amount of rasp, no opera style and none of the extreme ends of the spectrum. Hearing her is very refreshing, it feels like something new, when the genre itself is one of the oldest. Battle Beast bring an ‘80s heavy metal sound that still has a fresh vibe to it. The moment they showed up on the stage, all hands were up in the air and the venue “exploded”. They started with the opening song from their most recent album “No More Hollywood Endings”, from which they played quite a few more during the night. Song after song, people were screaming, dancing, headbanging, nobody got tired and to be honest they would not let us stop anyway. The way they interact with the crowd is next level. All the joking, funny moments, speeches between songs add more to the table than we would think. A little disco element in the songs, a little comedy never hurt nobody. After a few songs, Janne brought some disco drums <as he said> on the stage which gave a whole new atmosphere, now that was the 80s vibe we needed from them. Rock music was always about fun&games, and they did not let us forget this during the night.
After a short break Hammerfall jumped on the stage, by this time, there the venue was absolutely full, which shows that besides modern metal, there is still a huge need for simple heavy metal without adding to much extra elements to it. The instruments were loud, the singer was loud, but damn, the crowd was even louder at times. Fans were not so busy with moshing, they choose to sing from the very first song to the very last one.
It didn’t really matter which album they were playing from, fans knew the lyrics and they definitely knew how to impress the band. In between the songs, they did not stop chanting “Hammerfall”, it was very nice to see that. Besides playing a few tracks from their new release “Dominion” they did not forget to bring their classics like “Any means necessary”, “Last Man Standing” or “Hearts on fire” (probably the first Hammerfall song for 90% of the crowd). Especially on these pieces, the fans not only sang along with the band, but they were let to sing choruses and bridges alone several times. Some people prefer to hear the singer sing all the way to the end, but I think these are the moments that become unforgettable memories from a show not only for us, but for the band also. My favorite part at heavy or power metal shows is that the crowd not only sings the lyrics but they “sing” the riffs and the melodic guitar solos too. Of course, this also happened here on almost every song, which made this night a very loud and energetic one. Little kids also joined the “OoooOooo” parts and I’m sure they will remember this concert when they grow up. After “Let the Hammer Fall” the band left the stage for a few minutes. It goes without saying that fans invited them back, so they continued the set with the most successful song from the night (imo) “Hammer High”. That song is like the anthem of not only Hammerfall fans, but all heavy metal fans. It’s a classic that should be never left out of their setlist, and I’m glad they think the same way. After this bomb of a song, the new album’s “Sweden Rock” followed which got the best reaction from the crowd from all the played new songs. As for the last one, the riff of “Hearts on fire” started playing and it took us back to some childhood memories when we couldn’t wait for this song to come up on MTV.
Overall, I think this is how a tour line up has to be done. Great quality bands playing in similar subgenres, so fans can appreciate them all, no matter which band made them buy the tickets.
There’s no secret about how big of a Delain fan I am. They are bringing it every time with new albums mixing heavy songs and softer ballads, with pop and electronic influences. Their shows are always a good party. But more than anything, they are just the coolest bunch of people. So of course I jumped at the chance to ask Martijn Westerholt more about their brand new album, Apocalypse & Chill, to discuss music and life and so much more.
Simona: Congrats on the new album and the tour and everything. Something that has surprised me personally the most about it was the very techno and synth infused beginning of the album, which really was stronger than on any older material. How did that come to be?
Martijn: That’s funny because I hear that a lot. But you know, when you make music, you kind of are in your own bubble, so you don’t really notice those things. You just write a song and you go with the flow. What I do know is that we used elements we always used. However, we used more of it. I think that with the arrangements. But it’s also with Charlotte’s vocals, with the choirs, with the electronic elements, with the guitar riffs. So I think all the elements are there and it’s the same, but there’s a little bit more of everything.
Simona: Listening to the album, I realized there were a few clusters of songs in terms of sound and message. Did these come about from having different periods of writing and recording?
Martijn: You know, my role is also to be the producer. I always say, OK, I want heavy and hard songs, because those are the most difficult to write for us. The ballads and the more soft stuff comes easier. So we started with the more heavy stuff and a song like Burning Bridges, but also a song like Masters of Destiny, which is just more intense. But that’s what we started with. And in the later period, we we did more the softer stuff.
I think the time factor really did kind of separate the the style of the songs a little bit. Normally we always write in one go, and then we record in one go, the classic way of doing it. This time we split everything in pieces. So that might have helped as well.
Simona: What song from the album came together the easiest and which one gave you the most trouble?
Martijn: Masters of Destiny was really easy. I wrote the instrumental part really quickly and then I gave it to Charlotte and she gave back pretty quickly as well. Vengeance is Mine was a really hard one. Its internal structure was really hard and also with guitar riffing. It just didn’t click entirely and we worked a lot and changed a lot to make it work.
It’s funny because you can never predict when the song is easy or when the song is difficult just sometimes it just is so. Another easy song would be Ghost House Heart. I first thought it needed more flesh to the bone, but no, it doesn’t. It’s just short. People say “oh, it’s too short”, sure, but that’s kind of a compliment because it makes people hungry. But I did put it aside for a long time before finishing it and making a decision on it. The Greatest Escape was difficult because it has kind of two parts and we needed to connect them. It was kind of difficult.
Simona: When you have a song like this one and you just can’t seem to connect it, how do you get about getting through that? I wouldn’t say it’s a writer’s block, but maybe a composer’s block?
Martijn: How we work is that we have a little concept. So, for example, a verse and the chorus, or a riff and a chorus, or something like that. And we have let’s say twenty-five of those. We then sit together and say, okay, let’s work on that. I feel like working on this one, so we start working on that one. And really quickly if we try to elaborate on it and nothing comes, then we don’t even give it a chance to be finished. We just write it off. So we have songs laying around because they don’t make it. If we work on it and something comes up and there’s little more flesh to the bone, then it goes out. I often finish it with writing in little parts and then put the structure together. Sometimes I go to Timo and then we have the parts but not the structure complete, so we finish that. That’s a little bit how we work. But we don’t really have songs where we think, oh, we really want to finish it, if only we knew how. Then we just write it off and don’t give it a chance.
Simona: You don’t force it.
Martijn: No, because it has to, you know, it will sound forced.
Simona: Is there any song on the album you would’ve liked to have as a single, but it just didn’t make the cut?
Martijn: Oh that’s a good one. Yeah, that’s a good one, because I never thought about it. We kind of made four singles with One Second and with Ghost House Heart, Masters of Destiny, and Burning Bridges. But if there would be another one, one I really, really like is Creatures. Because Creatures has a very gloomy guitar riff. We called it the Amon Amarth song because of that. But at the same time it’s also not very heavy because it’s almost like The Hurricane on our previous record. It’s almost a ballad, but it has really heavy duty elements and it’s a really weird combination, and I really, really like the sound. When we play it live, it really touches me. So it wouldn’t be the first choice as a single, perhaps, but for me, it’s kind of it’s nice.Simona: I asked because sometimes some songs from different album get forgotten, or I would not say forgotten, but that they are not as highlighted.
Martijn: No, it’s true. But the good thing about that is that a lot of those songs become audience favorites when you play them live. And when it works really well, you keep playing them.
Simona: How has it been taking the album on the road with the UK tour?
Martijn: Well, I was really pleasantly surprised when we played the stuff live because they really work and that’s never a given. You know sometimes you have songs on an album which work really well in an album but not live. Sometimes it’s the other way around. We have a song, for example, Don’t let Go, which was kind of a bonus track on The Human Contradiction. But live it always creates a party and it puts a lot of energy out there. I guess that’s that’s a good example.
But I think Burning Bridges works really well. It’s really intense live. I always put a softer song after, because any song you have after will always sound less heavy than Burning Bridges itself. It will always lose, so that’s kind of funny. But so far, the crowd really likes the songs and this is a kind of surprise. Whenever you do a new song live, you know, you worked on it for a long time and then you put it up on stage for the first time. And it is a surprise if it will work. So far, yeah, really good experience with it. I’m really, really pleasantly surprised.
Simona: I know you sometimes play a couple of songs way before the album was out and showcase them. Would you ever go back and change something to the songs after their life debut?
Martijn: Yes, actually, that’s a very good question. Not a lot of people asked. We had for example for the song Turn The Lights Out and we even had it with songs in the periods of We Are The Others, where we changed Get The Devil Out Of Me, for example. We changed the entire chorus. And it’s funny because indeed sometimes when you play a song live you notice certain things. For example, that song is too fast and you make it slower, so we did that a couple times. From our debut album there’s a song called Shattered, and we almost played it faster live. And now the other way around, we played Ghost House Heart in the UK for first time and it sounded rushed. So I stretched it down with a couple BPMs. And now it sounds better. It’s really funny.
Simona: Now that we talk about like creating the music and presenting it live, how separate is art from entertainment in your view? Not just for you in Delain, but in general.
Martijn: That’s a that’s a difficult question. I think it will offend people but I will say that I think that art is entertainment, but entertainment sounds a little bit too light for some art. Do you know what I mean? But in general, art is to amaze or inspire people, or make people think. And to me, that’s kind of what makes life interesting and does entertaining. The word entertainment is almost like Bugs Bunny with a hat.
With our music, what I sometimes struggle with is that, for me, a show is successful when people will go crazy and the roof blows off, so to say. But there are also people who don’t really express themselves like that and just stand there and take the music in and enjoy it just as much, only it’s more difficult to see. Sometimes I kind of measure the success to the amount of intensity I get back from the crowd. But that’s not always trustworthy. So, to say, OK, we need more “party” is not always good, because some songs are too serious for party in our genre. That’s kind of always a little bit of a struggle. Therefore, in a sense, I also kind of make this sequence of the setlist and I’ve tried to make a flow in that. We start with the big bang and then we have some serious songs. And then in the last part of the set we go to the party songs. So there’s kind of a flow in the set and that’s what I’ve tried to do.
Simona: With The Gathering and Don’t Let Go.
Martijn: Exactly, We’ve never played The Gathering as a first song.
Simona: Too much :)) people would then be able to handle it.
Martijn: No, you’re just sober or something, you know?
Simona: What was the first time you thought of yourself as an artist?
Martijn: Oooh, sometimes I still don’t think of myself as an artist. That’s a good question, when did I think of myself as an artist? I think when I played live with Within Temptation on Dynamo, where we had the backstage pass say “no artists, just talent”. And I thought of what it said, just talents. Like, oh yeah, so I’m regarded as an artist. But I don’t know if I see myself as an artist. Good question. I’m not usually thinking like that for myself.
I also remember that people can look at you differently when they know you are an artist or make music. People experience a bit of magic. I also have that with … let’s say Star Trek. I love Star Trek very much. I am Trekkie. Definitely. That’s magic. But if you meet an actor like that in real life, that magic is kind of gone. You know what I mean? That is how people approach me and I think and like unjust human being. But for them, it’s a special moment. I don’t want to take the special moments away from them. Those are special moments, to see how your music touches people. I mean, what bigger compliment can you get. That’s really beautiful.
Simona: Finding out those are just actors or musicians is the best case scenario. There is reason why we have a saying “never meet your heroes”.
Martijn: Its funny. For example, Tuomas Holopainen is a good friend of mine. And when I met him for the first time, I was like “I’m a really big fan of your music” and he said “no, I’m a really big fan of your music”. And that was so weird.
Simona: Like the Spiderman meme.
Martijn: Yeah, really funny. And at some point, he said, for example, I don’t want to meet Hans Zimmer. He had a couple of moments when he could meet Hans Zimmer. The reason he didn’t want to meet him is that he wants to keep that magic there.
Simona: Are you personally an Apocalypse& Chill kind of person or are you more worried than cynical?
Martijn: I’m actually an optimist. Also, when I look at the world Apocalypse& Chill for me is not judging. It’s more like observing. It’s just very interesting to see the two worlds. One, like, for example, the social media, where you see really awesome pictures of people’s lives, where it looks really cool. On the other hand, there are always articles where you see Australia on fire or California. And it’s the same world, which is kind of fascinating. It goes without saying that I don’t like it with when forests or houses or things are on fire. Not at all. It’s terrible. And I’m kind of worried about global warming, which I think it’s scary. But then again, I am also very optimistic because the best feature of the of the human race is that it’s so adaptive. There’s not a single specie on here which is as adaptive as the human race. I kind of have faith that we will solve it. I hope so, at least. That’s more who I am.
Simona: Are there still any music acts you’re excited to see?
Martijn: Oh, yeah. Rammstein. That’s a big experience and I am always excited to see them life. Nightwish is another example, but that’s more because I know them personally and I like the people very much. And I love the music, but it’s more of a weird position. The same is with Within Temptation. I’m so excited to see them, but that’s family and I want them to have success. But also Sabaton, for example. I really admire how those guys build their bands and what kind of spectacle they make. And I’m a history addict, I love history. They are very much about military history, which I find very interesting. So, yeah, I am excited about it.
Simona: Lastly, what are your best tips and the words of wisdom when it comes to traveling?
Martijn: Well, I think you get life experience when you travel because you see how other people live. And if don’t only go to the tourist places, but also go where the tourists are not and try to soak in that place and the space, it just keeps you life experience. I don’t have a phrase for it.
Simona: It’s called going off the beaten path.
Martijn: Yeah. I am totally with that. Absolutely.
With such a name and artwork, you know this is going to be a fiery and intense album, but a very fun one. We’ll all go down burning in flames, but at least make it funny. Delain are coming to you on February 7th with a brand new album that is sure gonna make waves and not just out of air (because sound propagates as waves – haha bad joke time over).
The album promises to “leave all stereotypes and preconceived notions in the dust – exploring themes of impending doom and human indifference – making this their boldest, most daring and undeniable offering yet“. Even more so, it’s described as “carefully yet powerfully weaving violent riffs, synth heavy soundscapes and fully orchestrated compositions with vocalist Charlotte Wessels’ unmatched vocal potency, while not straying too far from the band’s established sound “. I am curious to see how that checks out.
We’ve already had the chance to listen to the first singles, Masters of Destiny, Burning Bridges, and One Second, which already showcased the different direction this album is taking. I will not dwell on them since we all (should) know them, but I have to mention that Masters of Destiny absolutely blew my mind and is right at my personal top of Delain songs.
I, for one, was very excited to hear the new album, so let’s skip right to it, shall we?
We Had Everything begins with a synth-techno beat. Is this Delain, is this Kraftwerk? I know they also have a song called Let’s Dance, but this is also a banger. Not much in terms of symphonic and unlike anything we’ve heard from Delain, but it’s still interesting. Charlotte’s vocals are as clear and on point as ever. The whole vibe is resembling of Apocalypse & Chill, with deep and haunting lyrics, but a beat that is clearly not that :))
Old-school techno pop again with Chemical Redemption, but this time it’s heavier. It’s a mix of so many elements that should not work together, but somehow they are just so Delain that they work together.
Vengeance is a duet with Yannis Papadopoulos of Beast in Black, so it sounds interesting already. I don’t think their voices go together as well as some of their previous duets. The song is a bit more similar in vibe to Masters of Destiny. The chorus is gonna be catchy. The lyrics are a masterclass in …vengeance, anger, and even pettiness, so I will personally say Big Mood!!
To Live Is To Die is basically an expanded version of Carpe Diem. 6 stanzas, 2 of which are the chorus And we are back at techno synth, but this time it was too much for my taste.
Let’s Dance – I can only hear that name in a David Bowie tone and voice. This is one of the songs that saw the day of light in Delain’s previous tour, having a bit heavier riffs and slightly distorted vocals. But funnily enough, this song doesn’t actually make me want to dance. The beat is repetitive and tires me out by the end of the song. Still, I think my opinion is unpopular and we’ll be hearing a lot of this live. Maybe it will grow on me.
Creatures has the hardest intro so far and I am intrigued. Very apocalyptic lyrics delivered impeccably by Charlotte. I love that the song is not too much and I just want to discover more of it. As the song goes on, I am really digging the instrumental. One of the highlights of the album.
Ghost House Heart is finally the piano and strings ballad I was waiting for. We are soon getting a video for this one and it will be amazing. Lyrics are not that complex, but I love the melancholic and flowy sound. I am a sucker for a good orchestral ballad and just picture myself waltzing in an abandoned Victorian manor. Definitely one of my favourites if not my favourite.
Legions of Lost is back with riffs, choir – we even get some Latin thrown in -, and orchestral sound, preparing us for battle. The vocals are more whispered (if Billie Eilish was doing a Delain song, this would be it). Charlotte is doing so much and pushing herself on this one, so it will be interesting to see how this translates live. The lyrics are a strong call to fight and fight for those who cannot fight anymore. Another good one.
The Greatest Escape starts with more soft keys, so I instantly dig it. This is so melancholic! The intro has this very shy glimpse of Scarlet, so fans of that song will be delighted. This is going straight on repeat.
The last track is the instrumental Combustion, which is showcasing Timo’s incredible guitar technique and how well it goes with Joey’s kick-ass drumming. This double solo has been showcased on stage, but it’s even bigger than I remember. What a way to end the album! Impressive musicianship.
Woah! This was a lot. Time to recap and give some final thoughts. Apocalypse & Chill is not a fan-service, in the way that it doesn’t cater to what is expected. It’s not stopping for anyone. It sounds nothing like their first albums, so if you’re looking for something in the tune of that, keep looking. However, this is loud and brave and unapologetic. Take it or leave, but this is here to stay. Apocalypse has never been this much fun!
I feel like the album has a few clusters of style and influence in sound. I don’t know if it’s because it was written and recorded in parts like they used to do, or it just happened. There are some songs that won’t be making it into my playlist and a few ones I really like. In some parts the synth techno got too much for me. I am also not crazy about the “screaming singing” we get more of this album, but that’s just because I am not a fan of that genre myself.
The songs are different but they work together and they show just how much the whole band has grown and evolved. From Charlotte’s growls (and frankly all of her vocals) and Timo stepping up big time and getting a chance to shine, to a whole new sound and everything they are doing with it.
I cannot wait to have the album in my hands and play it many many times on repeat and see how that changes it. I also want to see how the songs go live. It’s always interesting to see which songs take a life of their own.
Phantom Elite are back and promise to be bigger than ever. This time they were signed to Frontiers Music for a multi album deal. We were delighted to chat with Marina La Torraca, the powerhouse fronting Phantom Elite.
Teen Art Out: Hi, Marina. Great to hear from you again.First of all, congrats on being signed to Frontiers Music. This is exciting! How long have you been working on this?
Marina La Torraca: Great to be here again! 🙂 Having a label support has been on our minds since Wasteland and the opportunity with Frontiers came up a few months ago, during the writing process of our new album.
Teen Art Out: For those not as familiar with the music industry, what does it mean today to be on a record label’s roster? More specifically, what does it mean for Phantom Elite?
Marina: Although the music industry is changing, it still means a lot! A label (in combination with a booking and management team) can offer a lot of support, be it financial, or in terms of work force/expertise and network. An artist nowadays has the possibility of distributing and advertising their music independently, but unless one is in a very privileged financial and networking situation, it will definitely be harder to expand one’s fan base.
What it means for Phantom Elite right now is exactly that we’ll get to increase the amount of people working together to bring the band further. And with that, ultimately the chance of reaching more people with our music is always wonderful.
Teen Art Out: You’ve briefly mentioned that you’ve been working on a second album. We know you cannot give away that much, but we still have to ask about it. What would you say has been the main creative force or idea driving this album?
Marina: Well! I would say this album is an ode to persistence, hard work, fighting and triumphing over the big and small struggles life may bring. Lyrically and musically it is very heavy, personal (quite dark at times!), and will certainly put listeners through a roller coaster of emotions.
Teen Art Out: What attracts you to music or performances by others? There is definitely so much good music and so many great shows, but only so much time (and money).
Marina: You are right! Haha. But I’d say I’m personally very attracted to technical quality of a performer or an act, in combination (and this is the most important thing for me) with interpretation. An artist has to make me FEEL things in his/her music and performance, he/she should show me who he/she is, otherwise I’m out. I guess in short: I love artists who know their shit, who know who they are, and go all in.
Teen Art Out: Is the artistic life lonely by definition or is that a myth? What do you do to counteract it?
Marina: Hmmmm, good question! I think it can be quite lonely in the sense of, you have different work schedules then “most people” in society, and you go out to dinner with a couple of friends who work at a bank and you find yourself having nothing to do with their routines and topics. So you tend to bond more with people in the same bubble, so you end up in a bubble, haha. But it’s okay. I actually always seek a little bit of alone time on tour, for example. I’m quite a big introvert and being around people all the time wears me out. So I’d say I have to counteract the social part of being an artist with a lot of meditation, Netflix and lonely walks, haha.
Teen Art Out: If there was any skill you could learn instantly, what would you like to learn?
Marina: Oh man, I’d love to improvise crazy vocal riffs and runs, haha. But I’m working on that, maybe some time soon.
Teen Art Out: Would you rather take a trip to outer space or bottom of the ocean?
Marina: Definitely outer space. Bottom of the ocean creeps me out.
Teen Art Out: As the winter holidays are approaching, do you have any special traditions surrounding them you’d be willing to share with us?
Marina: I’m not a very keen on tradition and don’t come from a very tradition oriented family. I just love to spend some quality time with the people I love who are very close to me, that’s it. Oh, and guilty pleasure: I also tend to watch “Home Alone” sometimes.
Teen Art Out: Last time we talked, you mentioned that happiness is “fighting the good fight”. What does that mean to you now?
Marina: Oh, I still agree with that, haha. That to me means being and acting in alignment with your values, always watching if you’re choosing to do something for the right reason or not. And I believe these daily experiences and choices bring one true joy, not only temporary ecstasy.
There is nothing quite like finding a new song to be enthralled by. Or even better, discovering a band that is exciting and fresh. One of those bands is Remember the Monsters, the fresh rock band out of Los Angeles.
You have just released a new single, “Close Encounters”. Tell us a bit about this “out of this world” material. “Close Encounters” has been in the making for a while – even before our previous release, “Sink.” We originally wrote it with our previous singer, but Julian (current singer) honestly brought it to a whole new level! We worked with producer Matt Good (Asking Alexadria, Sleeping With Sirens, Hollywood Undead) and we’re thrilled with how it came out!
> What attracted you to the style of music you are playing? We like music with energy that’s easily accessible – Stuff that’s gets you moving, or gets you feeling.
> What song of yours are you most proud of? Why? Our previous release, “Sink,” took a lot of work. Getting it produced then shooting an awesome music video took a lot of time and coordination. We’re still an independent band so we put together and paid for everything. We’re definitely proud of that one!
> How is the songwriting process for you? It’s a group effort. Lyrics and instrument arrangements get bounced around and pieced together. Then it gets run by the whole band and we make changes to it until we’re ready to get it produced. We try to make each song the best that it can be.
> You have released a few videos and lyric videos. What is for you the visual identity of “Remember the Monsters” and how should it tie in with the rest? We want videos that are energetic, well produced, and visually engaging. We want to show that we’re having fun with what we’re doing, but we’re also serious and put time and effort into the quality. Some really cool video ideas for future releases and we’re looking forward to getting more out there.
> What’s the coolest thing to have happen so far for you related to the band? Shooting a professional music video and see it come out really well was pretty awesome. We were also featured in a video by Jared Dines on his YouTube channel, which drew in a lot of new fans!
> What is next for “Remember the Monsters”? We’re working on new material and have some big things coming up. We don’t want to spoil any surprises, but we’re definitely hard at work!
> How was the first ever Remember the Monsters show? What became different as you continued to play? The first show we played was a fun one. It was at a local music venue that’s seen some pretty big acts come through. Someone proposed during our first show, so congratulations to them! As we continued to play we always try to turn up the energy and get the crowd more involved. You get better the more you do it!
> What are some of the best shows you have been to? What makes them memorable for you? I’ve been to all kinds of shows! I love the high energy of rock acts like AFI and Coheed & Cambria, I’ve also seen Lindsey Stirling live and that show was an experience. There’s a band from Denmark called Mew that I’ve been a fan of for a while that played in the states and that one was amazing!
> What’s your favorite ’90s jam? I actually love The Smashing Pumpkins. Gish and Siamese Dream are my jams.
> Lastly, what is something you want to say to our readers? We want to thank everyone for all the support, you guys are rad and are the reason we do what we do! Check us out on all the social medias and stay tuned for much more from Remember The Monsters!
Apocalyptica descended upon Bucharest in a show we will surely remember. They have been celebrating their 20th anniversary for a few years, so we were glad to see them return with Apocalyptica plays Metallica by 4 cellos.
First of all, we all know Apocalyptica, the world famous metal
cello band. I had seen them last year in a festival so I already knew just how
incredible their live show was. That being said, we were not ready for what
came. It was an incredible night of emotional music, that left us all wondering
how they can do all of that with just cellos. But more than that, their stage
presence, their charisma, their wit, all made for a great evening.
The show had two parts, the first seeing the 4 celloists in front of panels, creating such a powerful image. Would have been much appreciated if the stage was not so low, and most of us could have actually seen that. The magic of a cello show is that the audience can be heard so much louder, somehow making a 1700 people show seem so intimate and special. Though you’d expect the public to singalong a bit more loudly to well known Metallica songs.
They started strong with bangers like Enter Sandman and Master of Puppets, continuing to play songs from their first ever album (obviously Metallica cover album). It was really magical from beginning to end. Even for those who knew the band, myself included, it was surprising and incredible to hear it all and know it’s being done just with 4 cellos. The sound and atmosphere was just so intense.
The second part of the show was heavier, with the appearance of drummer Mikko Sirén and hist very interesting drum set. They took us through well known songs, but also included some gems such as Orion or Escape. And for a little snippet for those who paid attention, during Seek & Destroy, they also gave us some tunes from AC/DC’s Thunderstruck.
What I must definitely mention is that I have rarely seen better interaction with the public. Eicca and Perttu took turns engaging the crowd, sharing anecdotes, being funny and very charming. Kudos to Perttu for being quick silver on stage, running all around while playing a cello. And a huge bow to Eicca, who clearly fought through fever and illness to still give us one hell of a show.
It’s been a couple of days and I am still thinking of how great the show was. We all knew they are great musicians, but seeing them on stage is something else. The whole show is just something else, pure magic. I am so glad we were able to see them in Bucharest once again, and let’s hope we do this again soon.
Bucharest was definitely Brought to Life! Once again Evanescence graced us with their music and presence and we were there for it.
The night was opened by Chaos Magic, who were bringing a nice rendition of symphonic metal. The crowd was gathering surprisingly early and they did play to a lot of people. The lead singer, Caterina Nix, can really show off powerful vocals. It was a nice way to start the evening.
Next up were Veridia, who I can only describe as “Ariana Grande with guitars”, which isn’t necessarily a bad thing. I think they sounded very good and were a good choice opening up for Evanescence. But the singer had her ponytail and moved and sang like Ariana Grande :)) They were fun and I will probably listen to their material some other time. Yes, many people were upset because “it’s not truuu metal”, but I am petty like that so I want to like the band even more.
There aren’t a lot of bands that make me as nostalgic as Evanescence does. The main difference is that they still got it. The could be touring with the same setlist for the next few decades and it will not be enough. There’s nothing quite like hearing “Bring Me To Life” sang live. Yes, it was missing the male vocals. But knowing that they were only included in the song by sheer force of the label, who though Amy Lee could not anchor a song on her, I am more than happy to hear the crowd fill in and try to sing both parts at once.
The setlist moved graciously through energetic songs and heart-wrenching ballads. The audience was not all that energetic, but on softer songs like “My Immortal”, “Call Me When You’re Sober” or “Lithium”, they joined in for a very emotional rendition of the songs. As for the more energetic “Going Under”, “What You Want”, or “All That I Am Living for”, I screamed my lungs out. I cannot pretend to be the biggest Evanescence fan. I am more of a “I used to listen to it in 7th grade and I hope I still remember the lyrics” fan, but I still enjoyed the show.
An extra special moment was the last song, or rather last songs. The show ended with a medley of Haunted / My Last Breath / Cloud Nine / Everybody’s Fool / Weight of the World / Snow White Queen, a new addition for this tour.
Amy Lee did not sit still for one moment. Running from one end of the stage to the other, she lived each song and interpreted it in a way only she can. Whether she was singing and jumping around, running to the keyboard and back, she was truly mercurial. The more I see her do it, the more impressed I am with her.
She interacted with the public much more than in previous concerts and seemed genuinely happy to perform and thankful to be here. Genuine is a word that would describe her whole presence, where it is clear she is performing, but you can feel it’s really her living the show and giving her very best on each song.
She reminded us that the video for Bring Me To Life was filmed in Bucharest all those years ago. More than that, it was the first time she got a passport and traveled abroad, so Bucharest has a very special place in her heart. She later posted about it on Instagram as well.
While I went on and on about Amy, I do have to mention the rest of the band played their very best. Musically they lived to every standard. My impression however, was that they were there just as a support for Amy. Whether they were singing on stage or somewhere off stage would not have made that big of a difference. I didn’t really get that “band” feeling. In their defense, it’s hard to catch up with Amy on stage.
The reason Evanescence is still so important all these years later is hands down because of Amy Lee’s impressive creativity. I have talked at length about her great voice and incomparable stage presence, but the real reason is just how good a songwriter she is. Her songs meant so much to us and they still do, so we’ll come back again and again to hear her sing them.
Do you ever sit
and think about why are you doing some things and consider who has done or said
them first? It may sound as overthinking. This is not something we do all the
time; unless one is fond of digging towards the root of things.
study history in order to find an explanation for their present days, others
study etymology in order to understand the whys behind the language they are
speaking. There can be many weird, maybe even funny stories that can come out
of this research. I went ahead and selected a few interesting and important
ones, which have profound consequences to this day. Let’s see how those go.
The universe of
storytelling comes in many shapes – realistic stories, fictive stories, myths,
legends, fairytales, the story our grandpa told us from back in his time or a
simple occurrence told by an old friend. Most of the times we are not aware of
the effect that this has on us in the long-term.
Some brief examples: the tooth fairy, the monster under your bed, the acts of love we usually do, the “pandora’s box” phrase – there is an explanation behind all of them. Where do we use them and what is the connection with the “past”? Let the overthinking start.
Fear of the dark and other childhood stories
night of insomnia you might have experienced at some point. Amongst all the
other twisted thoughts in your head, you were probably thinking about the
terror the dark creates within you – that terror that gives you a strange
feeling and it remembers you of your childhood. What was it that scared you so
much back in time? Maybe the monster
under your bed…
The fear of the
monster under the bed is very common within children and we may sometimes find
ourselves recalling this fear. However, where did it come from? Who started
this? Some parent, at some point, threatened his child for the first time with
the appearance of the monster from under their bed, when they did not want to
sleep. Anyway, even this idea and affirmation comes from an older story and
from some developed human instinct. From the beginning of time, every attack
and every malefic occurrence was happening during nighttime. Then there is also
the common and normal fear of what we cannot see. We cannot protect ourselves
and neither beware of our “enemy” in the ark. This phobia is being fed by the
numerous horror stories we read or watch. This psychological thig mixed with
ancient and modern stories will make one turn on, one by one, every light of their
house when they hear a noise. We have all done it at some at some point.
While for adults
it is a bit hard to overcome this fear, as it turns into a more serious one, it
is possible to, at least, help children fall asleep. Mythology gives us the
“good guy” as well – the “Sandman”, who
actually helps children fall asleep. It is a Scandinavian myth that says that
he is throwing magical sand in their eyes, which is also meant to bring the
good dreams. In the mind of a child, this could work as a psychological effect,
just as the “placebo” effect works on us when we take a pill. The Sandman is
also a good example of how old stories and myths could inspire art – we can
find him as a main character in Neil Gaiman’s comic books, The Sandman and as a symbol in Metallica’s Enter Sandman song. Some stories live through other stories and
most of them start as a childhood story. Here is another one:
Do you remember fairies? We used to love them as a child. I have one that was also present in our childhood days – in an apparent, physical way, in our naïve mind – the Tooth Fairy. As a child, losing a tooth was neither a simple procedure, nor an event without consequences. It hurt, but hey! – we were getting money for it. Maybe not us in Romania, but American kids surely were getting some gold for their teeth. The old myth says that if we left your lost tooth under your pillow during the night, the tooth fairy would come and pick it up. As a reward, she would leave us some money under the pillow. In our innocent childhood days, this was a moment of happiness. And this myth was told for the first time in the medieval era. It is impressive how we still use this technique with kids nowadays (like Santa Claus, just that not as popular).
Maybe you have a
vague memory about throwing your tooth over the roof of your house. This would
be another made up myth of how to be rewarded for your lost tooth, which is
applied in other cultures. It doesn’t bring money but it is said to bring good luck
to kids. Not that much worth the pain, right? I remember believing strongly in
fascinated with stories; their world revolves around them. That’s why it is so
easy for parents to educate them with the helping-hand of a good story. In
fact, we are led by stories, too, even though we don’t realize it. We can take
a deeper look into the adulthood world.
When did the romanticism start?
Taking one of the nicest things adults enjoy doing today – nice, romantic stuff with or for their partners. Some things might be done by instinct but others are inspired from stories heard before, although we may not realize where and how we heard them. It could be a recalled tale from your childhood, an old movie you watched before, a glimpse you took into your mother’s romantic novels or some simple gestures and adventures noticed outside there, in your surroundings.
Romeo and Juliet is one of the most commonly used comparison when referring to an in love couple. “Be my Juliet and I will be your Romeo”, “Romeo and Juliet are together in eternity”, “A lovestruck Romeo sang the streets of serenade” – some songs that made use of these characters and of the ever-lasting love story. It’s taken as an example of true love and sacrifice, as a whole, but also as an example of a prohibited love. Anyway, since the 16th century people long to find their Romeo/Juliet. This is an older example, but most of the idealistic love stories depict a feeling that can overcome any challenge, a feeling that is stronger that any barrier in life.
There are some
more examples that could quickly come to mind: Tristan and Isolde, Beauty and
the Beast and The Sleeping Beauty or some more modern stories like Rose and
Jack´s one from Titanic. Oh! And let´s not forget Jane Austen´s books and her
particular characters and dialogs she builds between them. We have proof that
love examples and inspiration can date back in any cycle of our life. As a kid,
we don’t recognize their importance; as a teenager, we desperately wish to live
the same stories; and as an adult, we don’t really realize that we had looked
for that feeling before.
Tristan and Isolde – the end of their tragic love story depicts a rose that
grown on Tristan’s tomb – a rose that will live forever. When did we first hear
about roses, by the way?
This flower of passion is a symbol for love and romanticism since the beginning of art and culture. We have the Greek mythology as a reference and Aphrodite’s legend – the flower would grew with her tears and the red color would be given by her lover’s blood. It’s marvelous how a simple legend can have such an influence over the world and their customs; and this is just a legend out of thousands, maybe million others. Maybe you have come upon Saint George’s one:
Dragons “lived” way longer than in George R.R. Martin’s books. The legend made Saint George the main character of a brave battle with a Dragon and a beautiful love story. He saves a princess whose destiny had made her the perfect sacrifice for the dragon who was threatening the city. From the dragon’s blood there grew our famous rose, which he offered to the princess.
Saint George is
the patron Saint of various towns and countries but I would choose Catalonia
(Spain) for some “did you know” facts here:
during Saint George’s day,
according to tradition, men have to offer roses to women.
the legend is so powerful
within Catalans that even their flag contains the image of the Saint, on a
horse, killing the dragon with his sword
the architecture of “Palau de
la Música” in Barcelona is beautifully portraying, amongst other impressive
statues, the statue of Saint George and, also, a ceiling where multiple roses
surround the bright stained glass.
This is how a
simple story can become a culture and how it can turn into art as well.
Here we are
looking through another example of romanticism, which is, perhaps, a more
rarely encountered one. It is a special gesture because it suggests respect and
honesty. It would be interesting to talk a bit about its origins: we can go way
back to the Roman empire when it was employed as a sign of submission and
respect for monarchs (it could have settled the base of its evolution). It was
later on, in the 17th century, in the Polish and Spanish courts as
an expression of courtesy and esteem. In time, it turned into the romantic
gesture we all know today, still having as main symbolism respect and sincere
appreciation. We can consider it fully valuable.
Even words have a story
Now let’s get to
something even more common and which we often encounter in our lives: the
language, our daily speech. During our day-to-day conversations, we find
ourselves saying some sentences or more like expressions that we had surely
heard before, that are specific of the language or quoted from some old story.
Whenever we are
joking around with our friends, we use all kinds of quotes and phrases we had
heard in movies and books. So whenever I say that my room is my private space,
“you shall not pass!” Most probably,
the first thing that comes to your mind is Gandalf´s face and Lord of the
Rings. However, this phrase was shouted for the first time during the First
World War, within the battle of Verdun. It was emphasizing the determination of
the French army to defend their territory from the Germans. The original
expression is “they shall not pass”. Nowadays it is still used in similar
situations and propagandas, given the power and courage that it evokes.
If we were to
have a wider, cultural view, the sentence has been adapted in various
languages, too, although one may utter it in English most of the times. In
Romania, for example, “pe aici nu se trece” has been said during the “battle of
Marasesti” (still against the Germans) and it gave the name to a Romanian movie
inspired by the historic WWI happenings.
the infinite quoting scenarios, from different cultures, there are some funny
ones that come in view (well…in “hearing” actually). Latin America is a fully
alive and full of humor land. That is why they also have a great deal of weird
and amusing quotes and phrases. “Vete al
carajo” could totally fit into this category. It is literally translated as “go to the carajo” but we have to see with this carajo means, as it is a typical Spanish
word.On the old Spanish sailing
ships there was this guard post on the highest point of the ship, which was
very uncomfortable due to the windy conditions and the movements of the ship
which were making it unstable. Given its bad position, it was also used as a
punishment. Crewmembers who were disobeying the rules were being sent there.
Therefore, each time latins get mad at someone they send them to “el carajo”. Thinking
about it, it is actually one of the few phrases that actually make total sense.
Consider it for the next time.
The English “fair play” term is an accurate example
of how language adapts to the passing of time. The one who “gave birth” to this
way of expressing justness was Shakespeare. He used it in “The Tempest”, where
it was pointing out the negotiation of kingdoms. Currently, we are using it in
sports or in any other day-to-day similar circumstances. Sometimes it’s
interesting to think about its origins; it is not “fair play” to not give
Some stories are traveling through time
We have seen that stories affect us unconsciously and they
sometimes inspire us as well. There is more to it, anyway, when somebody taken
action on them. Things flow along with time and people use, recycle and
modernize learnings from before.
The modern art and technology is even using old discoveries in
order to make them real or to create a piece of art.
mentioned by Plato hundreds of years ago, is taking more and more shapes today
with the scientific discoveries. It also creates some pretty terrifying horror
movies (Example: Stranger Things series)
Does this sound familiar to you? It’s that kind of song that
gets stuck in your head instantly and unwillingly.
The Bella Ciao song, initially composed as a defensive
against fascism and chanted by the Italian partisans is still intonated during
protests for freedom and opposition. Besides, it also makes the main theme of
the famous “Money Heist” show. In the series, the song conveys the shouting for
strength and resistance. Its symbolic meaning can be applied in a variety of
scenarios and it can be a tool for art creation. I bet you would feel like
playing that song on the background even in some small, glorious moments of
your life, too.
matter whether you are an adult or a child. Everybody deserves a story and,
consciously or unconsciously, that old or modern fairy tale is leading your way
through life. They say kids are smart in their tiny, imaginary world. This is
why we should be kids from time to time and use this adulthood tales to develop
something bigger out of them; or in order to just enjoy and escape from reality
from time to time.
Sonata Arctica are back in force with a new album and video! They have released today their 10th studio album, »Talviyö« (“Winter Night”), and it’s definitely a good one. It is symphonic, atmospheric, and powerful, everything you can wish from from the Finnish band. With both cheerful tunes and their trademark sad ballads, not the mention the usual touch of cheesy lyrics, we could not be happier.
The video for Who Failed The Most was directed by Patric Ullaeus and it is the second from this album, after Cold.
Keyboardist Henrik “Henkka” Klingenberg states, “The wait is finally over, now all of you will hear what we’ve been working on for the past year or so as we present our latest album »Talviyö.« It was quite an experience getting this album ready for you guys and for the first time ever, we had some outside help from our very own Mikko Tegelman who produced the album. We focused on playing live this time and I think the album really captures how SONATA ARCTICA sounds like today. It will be a blast to go out and perform this new music alongside selected cuts from our catalogue. See you soon and meanwhile we hope you enjoy the album as much as we did making it.
are proud of their history. They are proud of the independence they fought for,
and they even, sometimes, bury the not-so-honorable portions of history to
remain prideful. Growing up in America, you learn of this soil’s history nearly
as soon as you start school, but it is painfully clear that the history we
learn is full of men. Men fought and
won the Revolutionary War. Men fought the Civil War. A man abolished slavery. Our
presidents are filled with nothing but testosterone. It was all men.
causes one to wonder: where were all the women?
they not allowed to be involved? Were they confined to their homes, bearing and
taking care of children? Were they waiting patiently for their husbands to come
The answer is simple: they weren’t. Women are scattered all across American History. This country’s history is saturated with the efforts of women, trying to make a difference. The only difference between these men and women is the men’s efforts are documented. They are taught in school, and they are celebrated during national holidays. Women’s stories are not. And it is not because they don’t exist. It is simply because they’re silenced.
The British are coming! The
British are coming! If you have ever lived in
America, learned anything about American History, you know the name Paul
Revere. He is the brave man that journeyed through the night, letting everyone
know the enemy was arriving.
What is not very well-known is that Sybil Ludington did
the same exact thing at sixteen years old, no less.
Ludington was born in 1761. Her father was loyal to the
English throne until three years before America signed the Declaration of
Independence in 1776. Joining the Revolution, he was promoted to Colonel of his
On April 26, 1777, Sybil Ludington took the ride of her
life when another man was simply too tired to continue. She alerted her
father’s men, that were scattered at the time, of danger and telling them to
return to the front lines. It is estimated that she rode twice as far as Paul
Revere, ranging to about 40 miles in total.
Because of her noble efforts, men were able to march and
face the British in the Battle of Ridgefield. And even though, she is often
forgotten today in history, George Washington did honor her for her efforts.
Coretta Scott King
Most people know Coretta Scott King because of her
husband: Martin Luther King, Jr. But what many do not know is that King was a
very integral part of the Civil Rights Movement.
Before she met her future husband, King dreamed of
becoming a famous singer. However, she soon sacrificed that dream in the name
of fighting for her civil rights. She excelled at a young age, graduating from
high school as the valedictorian before moving on to receive her BA in music at
Antioch College in Yellow Springs, Ohio. King was then awarded a scholarship to
further her education at New England Conservatory of Music in Boston, where she
met Martin Luther King, Jr.
After marrying her husband, King found herself in the
middle of the Civil Rights Movement, fighting peacefully alongside her husband.
Because of her family’s participation, her and MLK’s proximity to the movement,
they often received death threats. Their home was a never-ending target for
groups against their efforts. King also openly criticized the way in which the
movement tended to exclude women while she fought for injustice.
Martin Luther King, Jr. was assassinated on April 4th,
1968. Even after her husband’s death, King continuously supported the efforts
of the movement, participating in a labor strike only days after her husband’s
funeral. She remained the voice of several women’s right causes, traveling to
lecture about those issues as well as racism and economic ones.
Because of this, King was awarded the Universal Love
Award. She also published a memoir, documenting her time with Martin Luther
King, Jr. and their fight for justice. It was her hard work that finally paid
off in the materialization of the federal holiday in 1983, honoring her husband.
women in history remained so unknown that their name is not even documented. Agent
355 is one of them. She was one of George Washington’s most reliable spies
during the American Revolution.
seen with Britain’s highest-ranking officers, working for the other side of the
Revolution. She often attended cocktail parties and soirees with the British
elite, though her intentions far passed simply socializing.
Agent 355 was the member of America’s first
elite spy ring, though little to no information is known about her person.
Though people have described her as many would a typical spy, one who has wit
and charm like no one else.
of Agent 355, America could defeat the world’s most powerful military of that
time. She is the only member of this spy ring whose identity remains unknown,
and no one knows what became of her after the Revolution. But it is because of
her that the Patriots could gain their independence.
women are only among the hundreds that have been silenced throughout American History.
The success and tenacity of these women have helped build this country to what
it is today, though there is still much more work that needs to be done.
Simply because these women achieved great things does not
mean the achievement of their male counterparts are lesser, though these
women’s efforts do get buried while the efforts of men are celebrated on a
public forum and in large scales. National holidays are created in honor of men
while many women’s efforts are not even taught in educational settings.
light on just a few important women helps brings them to an equal level as men.
At the end of the day, that is all women ask, even present-day. People are so
used to men being superior that placing women at an equal scale is seen as
not want to be superior to men. We simply want to be seen as equals. Our hard
work makes a difference, and it should be celebrated just as men’s hard work