Moonspell – “Lisboa Under The Spell” DVD Review

On February 4th 2017, a piece of history was written in the dark book of Portuguese gothic metal act Moonspell. Lisboa Under The Spell was recorded that day at their show in Campo Pequeno Arena and it was released as a live DVD not so long ago, on August 17th via Napalm Records.

Here is Moonspell’s statement: “We are thrilled to announce the release of our brand new live DVD/Blu-ray/3CD live album, entitled ‘Lisboa Under The Spell’! It was recorded live on our breathtaking capitol city of Lisbon and it’s nothing short of an epic trek of more than three action-packed hours! We have played ‘Wolfheart’‘Irreligious’ plus ‘Extinct’ in full, invited a bunch of guests, summoned our biggest strength to be up to the task, and it feels awesome to unleash a long-awaited live release from MOONSPELL. This edition will be full packed with amazing material, bonus CDs from the shows, a in depth documentary about the band, top sound, dramatic flair and a human picture of thousands of Portuguese witches and wolves under the spell. A great document of what we are on and off stage. Don’t miss out and visit Lisbon through the eyes of MOONSPELL fans and the genius work of director Victor Castro.”

Before diving into the actual details, I must say that, in my humble opinion, the title of this DVD sums it up pretty nicely. I have seen Moonspell in a live concert twice and it felt indeed like being under a spell. From my point of view, frontman Fernando Ribeiro is one of the most charismatic figures in the metal scene. He is simply a mountain of passion on stage, always knowing how to connect with his audience. He never leaves blank spaces during their performance and he manages to make you feel like being a part of the show. You would think that after 25 years of performing on stages all over the world, one might get tired of doing the same thing over and over again, but not these guys. The force of connecting with everyone, the feelings driven by their music, the passion for performing are still there and they are doing a hell of a great job, hopefully for many years to come.

I am by no means an expert when it comes to videography, but Victor Castro managed to direct and create a very interesting and detailed documentary and he also managed to feature the lives of these five artists outside their comfort zones, meaning the stage, showing us a glimpse of their everyday lives, since we sometimes forget that the people we usually cheer for during shows, are also… regular human beings. The lightshow and the color scheme are well-chosen, the sound is accurate and pleasing, decors change accordingly and the audience is explosive. I do believe those 4000 fans were very lucky to be there.

And thus the show begins with the first act, Wolfheart, their debut album from 1995, played in its entirety. I am pretty sure this was a treat for fans of early Moonspell and also a delight for those who couldn’t be present at past tours. I don’t want to give away too much, but I have to mention the Vampiria moment. This whole album is a work of art, but Vampiria seems to be one of those performances that can put one in a trance and Fernando’s voice… oh boy. From this act, Napalm Records released a video of Alma Mater, one of the songs that can shake you to the core and I can only imagine how special it is for the Portuguese audience.

Act II follows with another favorite of Moonspell fans all over the world and that is Irreligious, their 2nd album released in 1996. Raven Claws brings the lovely Mariangela Demurtas on stage, singer of Tristania and also wife of Moonspell guitarist, Ricardo Amorim. I really loved the way Fernando presented her: “born Italian, but the owner of a Portuguese heart”. Who says these guys can’t be romantic? But enough with the cutesy things, since the following tracks are some of the forte points of this whole show: Mephisto, Herr Spiegelmann and, of course, Fullmoon Madness. A mix of fire, strength, mystery and the most delightful madness, will take over you while enjoying this part of the concert. Napalm Records also released a video for this act, featuring Herr Spiegelmann, with a very special moment as you can see below. This song was inspired by the book The Perfume, written by Patrick Suskind.

Act III is represented by Extinct, their tenth full-length album released in 2015. The pace is changing, shifting into a more modern Moonspell sound, but nonetheless, a very catchy and intriguing chapter of this band’s history. I remember there were a lot of upset fans back in 2015, who disagreed with the adopted changes in style, but I am pretty sure this album grew on them in the meantime. I was hooked on it since the first listening session and I believe this album was a successful musical exercise, proving that Moonspell is capable of bending the rules, adding new elements to their music, while still remaining on the same track that gained them notoriety throughout the years. Being capable of such changes only proves a great deal of growing up as an artist. Moving on, there are a few surprises featured on this act as well, but I will let you discover them on your own.

All in all, this DVD is very enjoyable to watch and if you are a Moonspell fan, you will surely treasure it. To be performing for 25 years is really not something to be ignored, especially in this difficult metal scene. Moonspell managed to gift us a show to be remembered. It all ends with Fernando voicing some of his thoughts after the show has ended, but you will have to check it out by yourself. Having said this, I am looking forward to their journey and hopefully to another concert since they have released their concept album 1755, on November 3rd 2017. Fingers crossed!

DVD & Blu-Ray:

I  ROCKUMENTARY – band documentary by Victor Castro

II WOLFHEART SHOW – full album played live

  1. Wolfshade (A Werewolf Masquerade)
  2. Love Crimes
  3. Of Dream And Drama
  4. Lua D’inverno
  5. Trebaruna
  6. Ataegina
  7. Vampiria
  8. An Erotic Alchemy
  9. Alma Mater

 

III IRRELIGIOUS SHOW – full album played live

  1. Perverse Almost Religious
  2. Opium
  3. Awake!
  4. For A Taste Of Eternity
  5. Ruin & Misery
  6. A Poisoned Gift
  7. Raven Claws (Feat. Mariangela Demurtas)
  8. Mephisto
  9. Herr Spiegelmann
  10. Fullmoon Madness

 

IV EXTINCT SHOW – full album played live

  1. All Gone From The Wild (Intro)
  2. Breathe (Until We Are No More)
  3. Extinct (Feat. Carolina Torres)
  4. Medusalem
  5. Domina
  6. The Last Of Us
  7. Malignia
  8. Funeral Bloom
  9. A Dying Breed
  10. The Future Is Dark

 

V  MAKING OF – show day

 

VI GALLERY – live and backstage pics

 

Get your copy here:

https://www.moonspell.rastilho.com/highlights/

https://shop.napalmrecords.com/moonspell-lisboa-under-the-spell-deluxe-box.html

Review by Cristina Țurlea

Beyond The Black – “Heart Of The Hurricane” Album Review

Two years have passed since their last release, but time has come once again for German symphonic metal act Beyond The Black to dive straight into the Heart Of The Hurricane! No, not literally, don’t worry. Heart Of The Hurricane is the name of their new album, that will be released very soon on the 31st of August via Napalm Records.

Image result for beyond the black heart of the hurricane

Here is a statement from the band regarding their new material: “Can you feel the thunder? After a turbulent phase in the short history of BtB, we can say that we came out stronger than ever! Witness to that is our first single “Heart of the Hurricane”, which takes you through a sonic thunderstorm to be reckoned with! We absolutely cannot wait to unleash this storm upon old and new fans alike, as we are sure that this new chapter will take us on a beautiful journey through dark and light!”

And indeed I can totally agree that it has been a journey through darkness and light, as they said. This album is very energetic, even though it possesses a gloomy atmosphere that resounds through the lyrics, contrasting with the overall heavy sound of the songs, that will just not let you stay still.

From my point of view, I would divide the album in two parts: the first part would be represented by some more catchy tracks with fresh elements added to the sounds that we were accustomed to and the second part is the one that stays true to what we have heard on previous albums. Is this bad? Is this good? Nonsense. I believe this is the right recipe for a varied, dynamic album that will surely please both old and new fans of the band.

Hysteria opens the album with a burst of energy, setting the course for what will follow next and that is Heart Of The Hurricane, the first single released for this album. Somehow this one gives me the feeling of a run towards a dangerous adventure, from where one will get out as a different, stronger person. Wisely chosen as a first single, it has the catchyness that I was mentioning early.

Through The Mirror has a more mellow start, gentle piano notes accompanied by Jennifer’s low vocals, creating an empowering contrast that will surely give you goosebumps. I noticed that the Mirror seems to represent a theme for this album, as we will see in the video for the next song and maybe even towards the end of the album. I don’t know, it might be just a coincidence, but it fits perfectly, metaphorically speaking.

Million Lightyears is next and it made me extremely happy to hear the lovely, clean voice of Chris Hermsdörfer on this one, since he is not only a very talented guitarist, but the man can also sing wonderfully! I just love how their voices entwine.

Song For The Godless has such a kick-ass, mighty sounding, somewhat medieval intro and it immediately made me think of In The Shadows. You will be listening to a madly awesome guitar solo on this one. I just need to say that the whole atmosphere of this track is simply uplifting. The first slow track makes an appearance, Escape From The Earth, featuring a very gentle Jennifer, in an emotional scenery, that reveals a burdensome transition from the previous tune. What will follow, is a return to the roots for sure! I was actually curious if/when this will happen during my listening session. Beneath A Blackened Sky has some serious symphonic vibes mixed with majestic choirs. Headbanging incoming during the chorus, be warned. The mentioned vibes continue in the next one, Fairytale Of Doom, a track that made me think of Amberian Dawn. It’s a powerful song for the broken-hearted, with a well-chosen name and a favorite of mine. Much potential in this one I see! Nerd alert. Moving on, Chris makes a vocal appearance again on My God Is Dead, but with some cool growls this time, sending shivers down the spine. I feel that Jennifer’s voice could shatter one’s heart during the chorus, being so expressive, pouring all of her being into the song. Dear Death and Freedom are two pieces with fast riffs and beats, making one feel like on a rollercoaster. As far as concerning Scream For Me, I do believe this one would be a favourite for the public, if performed live: slow start followed by a bombastic chorus. And it’s time for the ballad, Breeze, piano and choir driven, lead by the gentle, but powerful Jennifer, who is simply amazing when it comes to ballads, managing to reach straight into your soul with her singing style. I declare Echo From The Past another favorite of mine. I find it hard to explain, but it’s just one of those songs that sticks to you and you love it from start to end, with no questions asked. It clicked with me probably because it has all the ingredients needed for an awesome tune: impact, balance, a lovely, subtle orchestration in the background, sustaining all the instruments together with the vocals in a neat equilibrium. The album ends with Parade, a fit conclusion after the journey made through the spectrum of feelings that were pinpointed by the previous tracks, encouraging one to be true to his/her self, no matter what.

Do listen to this album with an open mind and I guarantee you will fall in love with it. It clearly shows that teamwork, precision in the details, a lot of passion and perseverence will set you on the right course. Beyond The Black managed to deliver an album showing a great deal of variety, worthy of one’s collection.

Tracklist:

  1. Hysteria
  2. Heart Of The Hurricane
  3. Through The Mirror
  4. Million Lightyears
  5. Song For The Godless
  6. Escape From The Earth
  7. Beneath A Blackened Sky
  8. Fairytale Of Doom
  9. My God Is Dead
  10. Dear Death
  11. Scream For Me
  12. Freedom
  13. Breeze
  14. Echo From The Past
  15. Parade

 

More info about the band:

www.facebook.com/beyondtheblackofficial

www.beyond-the-black.com

www.facebook.com/napalmrecords

www.instagram.com/beyondtheblack_official

 

Pre-order Heart Of The Hurricane:

https://shop.napalmrecords.com/beyondtheblack

 

Review by Cristina Țurlea

Varna Mega Rock 2018 – Nightwish, Apocalyptica, Glenn Hughes, Kamelot

For two days (18-19 August), Varna Mega Rock attracted thousands and thousands of people with an unbeatable line-up of Kamelot, Glenn Hughes, Apocalyptica, and the big headliners, Nightwish. The festival is a very special one, so close to the beach, which was enjoyed by fans and bands alike. The weather was good, with a nice breeze blowing.

The first night was very exciting, starting with local acts Krossfire (who brought Romanian singer Aura on stage for a special song) and Kikimora. Then it was time for Kamelot, who absolutely killed it. They didn’t have to go so hard, and yet they did that!! They made sure the public was not standing still for a single moment. There were times I thought they were over-doing it with the Hey! Hey!, but they gave it their all and got the same from the public. Their setlist was as inspired as always, mixing the old classics with songs off their new album. Very special mention for “Here’s to the fall”, a very emotional ballad where the public joins in with their cell phone lights.

Many people were left wondering how Kamelot was not headlining the day. But they soon got the answer when Glenn Hughes got on stage. Best known for his bass and vocal work with Deep Purple, he is a legend of music and it felt like an honor to be able to see him. In a very purple hippie outfit, he impressed us all with his voice and moves, with energy, with dedication. Unlike Kamelot, he did not have to try to rile up the crowd. You just knew he came to do his thing and his many years in the music were showing, having the public eat out of his hand. He was humble and friendly in a way that made you forget just how big he was. He kept saying that it wasn’t the public who came to see him, but him who came to see the public. Of course, Smoke on The Water was the highlight of the performance.

All in all, a very strong day, great music, impeccable organisation. The latter was only true, however, for the first day. On the second day the gates were supposed to open at 4:30 and at almost 6, the stage wasn’t set up yet. The Nightwish screens and pyro were still being set up. I was allowed in the venue and got to see what was happening, but unfortunately, the hundreds and hundreds of people waiting had no idea why they were left outside for two further hours. Delays are bound to happen in the music business (not that I understand how the truck didn’t get there a good two days after their previous concert, which was 4 hours away). However, the way organizers deal with it is problem. I feel like they could have done a better job communicating with the people, both online and offline. Moreover, it would have been nice to distribute some water to the people waiting for hours outside the gates, ready to run and wait some more hours in the front of the stage.

Because of this huge delay, the first 2 bands had to be cancelled. I felt sorry for them, because they were there, dressed, prepared, ready to hit the stage, and they couldn’t. They had made plans and relied on the idea that they would share the stage with Apocalyptica and the mighty Nightwish.

However, the day started with Apocalyptica, who blew my mind. I have no idea how I hadn’t seen them before. Absolutely incredible and slightly insane show of energy for cello players. This time they were playing Metallica by Four Cellos, a fully instrumental show, but one where the public came in to fill the lyrics of the most famous Metallica songs. Huge show by them, definitely worth seeing again.

Finally, the Nightwish intro! We are doing this! What a show that was! Celebrating 20 years of activity, Nightwish are coming with Decades, a compilation album showcasing their most essential songs. While Greatest Show on Earth or Ghost Love Score were sure to be in the setlist, I loved hearing Dead Boy’s Poem, Come Cover Me, Elvenpath. Their show was a masterpiece of vocal and instrumental prowess, energy, joy, great music, and, of course, FIRE! I appreciated that the stage was high and far enough for the first row not to feel extra scared of being burned alive, even though giant flames were going on in front of them, giving off tremendous heat.

Image may contain: 1 person, on stage, night and outdoor

Other highlights of the show were I Want My Tears Back – a song where the public is always invited to dance and jump – or Slaying the Dreamer, which is just pure insanity. Song after song, we were show why they are the greatest. Compared to the previous Nightwish concert, I felt the Varna crowd a bit … quiet, especially when the band “left the stage” before the encore and they were mostly followed by silence. But with Ghost Love Score as an encore, the public revived to scream and dance and marvel at how amazing Floor’s vocals are.

Image may contain: 1 person, smiling, playing a musical instrument, on stage, night, concert and indoor

All in all, I am very happy with the fest, but it is also so because I did not wait for hours in the sun. They had a decent selection of food and drinks and the queues were not bad. The line-up was absolutely incredible, so I am sure that all fans will only remember the great feelings, that they got to see Kamelot, Glenn Hughes, Apocalyptica and NIGHTWISH!

Let me know when the next edition of Varna Mega Rock is, because I am coming!

 

Noutăți de la Rockstadt Extreme Fest 2019

Cea de-a șaptea ediție a Rockstadt Extreme Fest, unul din cele mai importante evenimente metal din Europa de Sud Est si cel mai faimos festival de metal din Romania, va avea loc între 1 – 4 august 2019, la poalele Cetății Râșnov (terenul de Biatlon de la baza cetății).

Abonamentele pentru ediția 2019 s-au pus deja în vânzare în rețeaua iaBilet și pe website-ul oficial al festivalului, http://www.rockstadtextremefest.ro:

  • Pre-sale 1: primele 1.000 de abonamente vor avea un preț special de 190 lei/ buc., valabil până la epuizarea lor, dar nu mai târziu de 16 septembrie 2018;
  • Pre-sale 2: va include 1.000 de abonamente cu prețul de 230 lei/ buc., valabil până la epuizarea acestora, dar nu mai târziu de 21 octombrie 2018;
  • Pre-sale 3: va include 1.000 de abonamente cu prețul de 270 lei/ buc., valabil până la epuizarea stocului, dar nu mai târziu de 13 ianuarie 2019;
  • Pre-sale 4: va include 1.000 de abonamente cu prețul de 310 lei/ buc., valabil până la epuizare, dar nu mai târziu de 17 martie 2019;
  • Pre-sale 5: va include 1.000 de abonamente cu prețul de 350 lei/ buc., valabil până la epuizare, dar nu mai târziu de 16 iunie 2019;
  • După data de 16 iunie 2019 și pe perioada festivalului abonamentele vor costa 390 lei/ buc.

 

Ca noutate, vor fi disponibile și bilete pentru fiecare zi de festival care vor fi puse în vânzare aproximativ cu 1 lună înainte de începerea festivalului la pretul de 220 lei. Mai multe detalii despre acestea vor putea fi oferite în momentul punerii lor în vânzare.

 

Primul nume deja confirmat la Rockstadt Extreme Fest 2019 este Paradise Lost, pionierii gothic/doom metalului alegând să includă cunoscutul festival de la Râșnov pe harta concertelor susținute în contextul aniversării celor 30 de ani de existență.

 

Cu 15 albume la activ, Paradise Lost este un nume consacrat pe scena gothic/doom metal internațională. Înființată în 1988 în Halifax, Marea Britanie, trupa e considerată fondatoare a stilului Gothic Metal, datorită albumului omonim lansat în 1991, ce a avut o influență majoră asupra mișcării metal din întreaga lume. În timp, sound-ul trupei a evoluat, încorporând diferite influențe, cum este cazul instrumentațiilor electronice pe care trupa le-a inclus în piesele de pe albumul „One Second” (1997). În anul următor, prin „Symbol of Life”, Paradise Lost a diminuat din nou prezența elementelor electronice în favoarea revenirii la stilul orientat pe chitară. Cel de-al 15-lea album, „Medusa” (2017), a adus la rândul său o schimbare de tonalitate, membri trupei declarând că este cel mai doom dintre toate pe care le-au făcut până în prezent.

 

Facebook event Rockstadt Extreme Fest 2019: http://bit.ly/RockstadtExtremeFest2019_FacebookEvent

Kamelot brought their Shadow Theory to Bucharest

Kamelot! Kamelot! Kamelot! – Can you tell it was a great show already? August 16th, Quantic Open Air, Kamelot brought their latest album, The Shadow Theory, to Romania.  Photo Gallery here

The day started with Crossing Eternity with a short set, but that definitely got them many new fans. The singer said “Bună seara” and I was so impressed by his Romanian only to have him speaking Romanian afterwards because … he is Romanian. A Romanian – Swedish- German band, they worked amazing together. They only have one album out, but it’s worth checking out. Good energy on stage, worked the crowd, got them to cheer. They didn’t have an easy task, but they delivered. Hopefully we’ll get to see them many more times in Romania.

Image may contain: 2 people, people smiling, people on stage and people playing musical instruments

Before Kamelot we were kind of worried because there weren’t that many people and the Golden Circle space was a bit too large, and by that I mean it was 70% empty. Luckily, by the time Kamelot came on stage, more people had joined and people got up from the tables so it didn’t look suspiciously empty.

I was happy to see just how many people came with Kamelot T-shirts. Glad to see so many fans. Kamelot are a band with such a long and complex history, it’s hard to define them exactly. I have friends who are huge fans of Kamelot because it was what they were listening to in high school. I have friends who have only come aboard the Kam train after the last album(s). That is, though, what makes the band so special. They know who their fans are and they do an amazing job of mixing the old with the new. After all, they have gone forward and forward for years (since 1991), put out 12 albums, and yet they are fresher and more exciting than ever.

Image may contain: 12 people, people smiling, people on stage and people standing

The show started with a single from the new album, Phantom Divine (Shadow Empire). They gave us more new songs (Ravenlight, Amnesiac) and some throwbacks that just cannot be left out of their setlist (Rule The World, The Great Pandemonium, When The Lights are Down, Karma). I personally think they have even better songs on The Shadow Theory that they are not playing, but this is just me being picky and wanting to hear them live.

For this show, Kamelot were joined by Lauren Hart of Once Human, who came in and out to feature on different songs. She has such an incredible and versatile voice, going from clean vocals to growl. When she gets the chance to shine, she fills the stage.

Image may contain: 1 person, standing

Song after song, the crowd was going wild. A very special moment was during Here’s To The Fall, a very emotional ballad Tommy dedicated to his late grandfather. The song is so beautiful and showcases more of what he can do vocally, and the crowd had a part in it raising up their lights.

Towards the end, we got to hear Forever, one of my favourites. It is always a great moment in the setlist because the band stops the song for the crowd to chant different versions of oooOOOOoooO with them. Tommy Karevik on stage is electric and has a magnetism few people can ever dream to achieve. He can command a crowd with just a look. He told us what to do and we did it. Definitely not as well as he did it, but we cannot all be world-class singers.

Image may contain: 2 people, crowd and outdoor

The band had such a great energy. When talking to other fans, Thomas was referred to as “the one making atmosphere on stage” and everyone loved seeing Sean and his signature braids being extra energetic. Both Thomas and Tommy were constantly coming off stage to be closer to the fans, raising thunderous roars from the crow. Oliver was, as always, the master of the keyboards (because he’s worth it). Any band that has a keyboard solo wins my heart forever. Last but not least, a very special shout-out to Alex Landenburg, who stepped behind the drums while Johan is recovering and is doing an amazing job.

All in all, a great show! I did lose my voice at the end of it, so you know I screamed. It wasn’t just me! The crowd, though not huge, was very loud and very supportive. We all cannot wait to do this all again!

Program și reguli de acces pentru concertul Kamelot și Crossing Eternity

Formația americană KAMELOT se întoarce în țara noastră , pentru a prezenta live publicului român noul album „The Shadow Theory” printr-un show ce va avea loc în data de 16 august la Club Quantic – Open Air (București). În deschidere va evolua formația româno-suedeză CROSSING ETERNITY.

Program și reguli de acces
Acces Meet & Greet: 18.30
Acces General: 19.00
Crossing Eternity: 19.30-20.00
Kamelot: 20.30-22.00

Meet & Greet:
Accesul pentru sesiunea Meet & Greet se face la ora 18:30, la intrarea special amenajată. La acces vă rugăm să prezentați atât biletele de concert cât și ticketele speciale pentru meet & greet
Vă rugăm să țineți seama că după terminarea sesiunii Meet & Greet, brățara & pass-ul VIP asigură participanților doar intrarea în zonele în care și-au achiziționat biletul de  concert, fără alte întâlniri ulterioare cu trupa.

REGULI DE ACCES și alte informații utile:
*  Intrarea în clubul Quantic se face din Șoseaua Grozăvești. Adresa este șos. Grozăvești, nr. 82 și se poate ajunge foarte ușor de la stația de metrou Grozăvești sau Politehnică, dar și cu tramvaiele 1, 11, 35 sau autobuzele 105 sau 601.
*  Accesul se face începând cu ora 19:30, imediat după ce sesiunea de meet & greet va expira.  Biletele cumpărate online pot fi prezentate la intrare atât printate, cât și direct de pe telefon, unde vor fi scanate cu ajutorul unui program special (pe care nu este nevoie să îl aveți dvs.).
*  La intrare, biletul va fi schimbat cu o brăţară care va trebui purtată obligatoriu pe toată perioada evenimentului. Cu această brățară, participantul va putea intra și ieși oricând din / în zona concertului, având, de asemenea, obligația de a o arăta personalului de la acces sau de la pază de fiecare dată când intră în zona concertului & zonele Normal Circle & Golden Circle. Deteriorarea sau ruperea acesteia atrage anularea biletului / intrării la eveniment.
* Deţinătorul biletului este obligat să se supună controlului corporal făcut la accesul în locaţia spectacol / eveniment de către organele de securitate abilitate.

Este interzis:
* accesul cu aparate foto profesionale (cele care au obiectiv detaşabil)
* accesul cu aparate video de filmat
* accesul cu aparate de înregistat audio
* cu orice fel de sticle, recipiente și mâncare (aduse din exterior)
* accesul cu orice fel de sticle, recipiente, substanţe periculoase, arme sau obiecte periculoase, inflamabile, care pot pune în pericol viața celor din jur
* consumul de droguri sau de alte substanţe ilegale. Această constituie infracţiune şi se pedepseşte conform prevederilor în vigoare.
* dezlipirea de afișe și reclame lipite în incinta clubului Quantic, precum și deteriorarea diferitelor semne puse de organizatori în zonă sau a mijloacelor de stingere a incendiilor aflate în incinta clubului.
În interior nu se fumează!

Nerespectarea regulamentului sau folosirea biletului în alte scopuri decât cele prevăzute poate aduce cu sine anularea biletului şi poate interzice accesul deţinătorului biletului la eveniment.

De reţinut:
* Copiii până la vârsta de 7 ani au acces gratuit – cu însoțitor posesor de bilet / abonament valabil (dacă în anunțul evenimentului nu este o altă specificație).
* Copiii după vârsta de 7 ani și până la vârsta de 16 ani au nevoie de bilet și de însoțitor (dacă în anunțul evenimentului nu este o altă specificație).
* Persoanele peste 16 ani nu mai au nevoie de însoțitor (dacă în anunțul evenimentului nu este o altă specificație).
* Falsificarea sau tentativa de falsificare a biletului se pedepsește conform legii.
* Persoanele  cu dizabilități pot beneficia de intrare liberă sau reducere doar pe baza prezentării la intrare a unei hârtii doveditoare (copie după certificat care atestă gradul de dizabilitate).

Iată categoriile de bilete pe care le puteți găsi online pe www.AmBilet.ro:
– 120 lei – Golden Circle / Zona în fața scenei
– 79 lei (100 bilete) – Pre-sale 1 / Normal Circle SOLD OUT
– 89 lei (200 bilete) – Pre-sale 2 / Normal Circle
– 99 lei – Normal Ticket / Normal Circle
– 169 lei (50 pachete) – „Friends Package” / Normal Circle pachet pentru două persoane
– 115 lei – în ziua evenimentului – Normal Circle
–  65 lei – Ticket meet & greet SOLD OUT (acces în locație cu 30 min înainte de accesul general, poze cu formația, autografe, etc). Important: Ticketul meet & greet trebuie să fie însoțit de un bilet de concert valabil – indiferent de categoria acestia.
La acces, biletul comandat electronic se poate preschimba cu unul fizic.

Eveniment organizat de: Promusic Events și Maximum Rock, susținut de: Aqua Carpatica, Domeniile Sâmburești, Rock FM

Artmania Day II – a line-up no one expected but everyone enjoyed

Artmania needs no introduction to us, rock/metal enthusiasts. With such a long tradition, it has become a highlight of every year, bringing people not just with its great music, but with its specific atmosphere. As the years went by, many famous bands got up on the stage from the center square of Sibiu. This year had a progressive twist no one see it coming, but overall Artmania can’t go wrong so people were still excited. The charm of the festival consists not only in the musical acts, but in the cultural activities and the attempt to promote culture, which is very much appreciated. Thus, it gathers all kinds of art lovers, no matter the form of i.

This year I was one of them. Unforunately I didn’t manage to get there on the first day, due to some external factors but I surely enjoyed the second one. From what I’ve heard, Haken and Mogwai did some pretty good shows, though there were some sound issues.

The second day started pretty good with Distorted Harmony, a progressive metal act from Tel Aviv. Now, you don’t usually get to hear (good) metal from Israel, but these guys got it big time. Their enthusiam and positive attitude one stage is just fascinating. Although they have been pretty settled in the progressive metal scene for a couple of years now, the guys were quite nervous on stage, but still gave everything they had. It was one of those shows were you see how much the artist works to be there for you. Even if they were the first band and played around 7 pm, they had a generous audience. Their setlist included songs from all their metarials, from Utopia to Chain Reaction and A Way Out. Distorted Harmony is a balanced mix of old progressive metal, Dream Theater style, and modern some modern influences. You know, a nice mix of djent and clean vocals. Overall, I am waiting to see those again, pretty soon.

Zeal and Ardor were definitely the surprise of the festival. A band I knew nothing of became, easily, one of my favs. First thing you see when the lights come on is the number of the lead singers. Three, to be more exactly. So you can already tell it is going to be at least interesting. After they start playing, everything changes. I mean, don`t judge a book by its cover but I thought I am going to listen some classical progressive metal with a twist. Instead, I got some avant-garde metal, which was already a „wow”, but later I encountered some spirituals sounds and black metal. Now picture that being sung by three different voices. It was real party there, split in two main moods, chilling and calm based on blues and soul vibes and energy blast. The setlist had songs from both Devil is Fine and Stranger Fruit album. This show had a strange but satisfying feeling, like when you don’t know what you are watching but you can’t help no to like it. Favorite songs were definitely Devil is Fine, Baphomet and Don’t You Dare. I really hope I will get to relive this experience.

Leprous are simply … Leprous. We know and love them. A band that grew in a few years more than others did in decades, and became, easily, one of the most influential progressive metal bands. Their approach of the genre is unique and psychedelic, with heavy drums, both distorsion and clean sounds on guitars, melodic piano parts and Einar’s chilling voice. A Leprous concert is more like a journey. It starts with excitment and a drop of caution, leaving the public wondering about what is going to happen next and where they are heading. Then it slowly grows into popular songs, on well-known territories and the audience goes crazy. Another thing I noticed, regarding the audience, was the fact that people were feeling every tune. I sw some girls crying during the song „From the Flame”, but it was that satisfaction and fulfilment crying, when you close your eyes so you can hear the music better and then you smile. I think that is the best a band could get while they play live. If your music goes deeper than the hearing, you won. Leprous’ music is a rollercoaster of emotions, moods and states of mind. As their journey ends, the sound gets more serein but still imposing and everyone gets sad because one does not simply gets enough of these guys. The gig from Artmania won everyone’s heart. Besides the great music, we got to see some very cool video projections and a nice „light-show” that completed the show, along the way. The guys played both songs from their latest material and some old songs, for the old Leprous fans. It was a show to remember and definitely one to repeat.

After a short break of soundchecks, Steven Wilson, the most expected artist of Artmania, came on stage. To be honest, I never called myself a big fan of him or Porcupine Tree but somehow, the show got my attetion pretty quick. I guess never judge a book by its past musical materials. When it ended I was just „wow, what did I just see?”. It was definitely more than a regular show, it was a whole new musical experience, a complete one. Everything from the sound, lights, videoprojections to the messege sent and the public-artist bound, was perfect. Of course, we all know Steven Wilson is famous for his meticulous planned shows, but when you get to see it, things are totally different. The setlist included songs from Porcupine Tree, like Lazarus and Sleep Together, but also some pieces from his solo albums, To The Bone, Hand. Cannot. Erase. and The Raven That Refused to Sing (and Other Stories) being the most famous. After Leprous left me emotionally „unstable”, Steven Wilson made me smile, laugh, cry and opened a liitle door inside of me, to a better understanding of what music can do to one. Every song and every word makes you feel something different and takes you to another worlds. As I was talking to a friend after, I told him this show „was definitely from another planet”. Wilson’s voice is both tandem and straightforward and overwhelming. All the musicians that were on that stage gave 110% of what they had and we will stay grateful for those hours for a long time.

This year, Artmania Festival was full of surprises, with a line-up no one expected but everyone enjoyed. From time to time, some change won’t hurt. The organisation of the event was nice. I really enjoyed the fact that the square was opened for the public during the day, so everyone could enjoy the city, even if they were not a part of the festival. Sibiu is definitely a charming city, full of culture, so it was perfect for the specific of the event. Another thing that impressed me was the fact that the promoters tried to organise some meet and greet with a part of the bands. Congrats for that, they made some people very happy. We can only thank the promoters and to all the staff, for what they did. See you next year, Artmania!

Adelina Sahlean

Flip Out – Live out your childhood dreams

I don’t know about you, but ever since I was a kid, I found trampolines exciting. Developing a passion for (watching) gymnastics sure helped with that. So, you can imagine, that when I found out about Flip Out Glasgow, I jumped at the chance (pun intended) to check it out! After all, the biggest trampoline arena in the world! Come on! I plan ahead, take a friend and off wee go. Excitement levels through the roof.

More than a week later and I am still pumped about it. It had so many trampolines to choose from. Surely enough, it had twice that for kids. I was looking at it with envy that I did not have that growing up. Even in the cafe, looking at all the arcade games and pool tables I could not help but think just how amazing it would have been to have a birthday there. Trampolines, games, slushies, burgers.  That would have definitely made me the coolest kid on the block. No wonder it was filled with kids. Now I see it from the parents’ side who just get to chill for a few hours while the kids go crazy and use up all their energy.

 

It’s equally fun as an adult, getting to spend some time a lot of energy (for real, it’s quite the workout). Perhaps it is more fun because there aren’t that many parks or adventure places like this to cater to adults. I did discover however that I am much more of a coward than little kids are. Where they were jumping from high blocks and fearlessly backflipping into foampits, I was trying to calculate angles and make sure I would be able to do it. Obviously, it was all very safe and all very soft. Try once, try twice, courage will come.

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I loved that I could choose from different trampolines and games. Just as we entered the “grown-up” section, there was trampoline basketball. Sounds fun, maybe if I can jump and jump, I will be able to shoot some hoops. Wrong. I sucked at it just as badly as I sucked at normal basketball. But this was 10 times more fun. Having to let go and just jump takes some courage, especially when jumping from considerable heights. The moment your recoil from the trampoline is some cartoon-ish now what moment, but it is sooo cool. So freeing and fun and just through and through an amazing experience.

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For those of us stronger, there is also an area with a Ninja warrior course. I went on half of the easy one and decided to let others there and I returned to jumping and jumping.

Barely moving, we made our way to the exist in what was a great experience. We truly had fun and enjoyed the day. I would definitely come back.

For more details, find them on: https://www.flipout.co.uk/locations/glasgow/ or https://www.facebook.com/flipoutglasgow/

 

Metalhead Meeting II – Soulfly, Epica, Kataklysm, Carach Angren, An Theos

After an intense first day of Metalhead Meeting, the skies were angry and we got rain, rain, and some more rain. But the show must go on. I don’t envy Blood Oath and Rhemorha who had the difficult job of opening the festival on a rainy day.

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Photo source: AnTheos Facebook page

An Theos, however, are better established with the Romanian audience, who gathered to cheer for them. A little rain won’t stop us from doing a ¨hor㨠on Ciuleandra.  It wasn’t a big crowd, but they were here to party with the band. An Theos delivered as always, bringing their folk sound, metal kicks, and energy in a very fun performance.

Up next, Carach Angren, were the surprise of the day for many. They wrote the book on how to establish themselves as a performative act. We are all suckers for live gimmicks. Crowns, masks and face paint? Sure. Fake blood and fake dying? Their music is an interesting symphonic black metal, perfect for headbanging, jumping, and screaming. Their frontman is an amazing performer, commanding the crowd so strongly and yet allowing himself to be silly and amusing. By the end of their set, they had gathered an impressive crowd. I am convinced they are the band from the festival who gathered the most new fans after this show.

Things are heating up with Kataklysm, who delivered a strong show to an energized crowd. Their powerful death metal songs ensured mosh pits. They went a bit much for my taste in the hurr durr we are strong metal men fuck everyone metal is the best.  In a more touching moment, they dedicated Outsider to Vinnie Paul. All in all, a good show, which took the crowd with it. Insomuch that, at the end of the set, many people were screaming for an encore.

Time for Epica to hit the stage. I am very biased since I am fan of theirs, but I knew they would deliver. when you go to see Epica you’re gonna get great and bombastic music, intricate orchestration and heavy beats. You’re gonna get lights and movement, interaction and closeness. Once again, they delivered. In what was a good festival setlist, they played some of their most famous songs (Sancta Terra, Cry For the Moon). But they were here to promote their latest album and showed us the best it had to offer. Old fans still enjoyed gems such as The Obsessive Devotion or the grand finale Consign to Oblivion.

Photo source: Epica Instagram

From beginning to end, Epica are giving it all. Simone Simons was in such a great vocal shape, and the boys were outperforming each other. I love seeing how much they move on stage, with a particular shoutout to Coen Janssen, the most active and moving keyboard player you’ll see. Between songs they had little jokes and games to get the crowd screaming and moving. It was not the best Epica show I have seen, but definitely a solid one. Cannot wait to do it again.

It is now Soulfly‘s turn to show us what metal is. The list of accolades for Max Cavalera and his boys is too long to be named, and they are household names. Even if they do not have anything left to prove, they sure put on a great a tour de force, engaging with fans and non-fans alike. Their technical prowess in undoubted, and they showed it off song after song and solo after solo. Pure, strong music and the crowd went insane. Even if their style is not your cup of tea, you cannot help but admire them and the complexity of their songs. You are going to be taken in by the energy they send out.

Blood, Fire, War, Hate! Blood, Fire, War, Hate!Song after song, the people chanted with the band through constant moshpits and crowdsurfing. In what was surely a high point of the evening, they played Sepultura’s  Roots Bloody Roots! Max Cavalera knows how to make an impact. And he did not stop there with the Romanian public, bringing out a Romanian flag and his very own Romanian national team T-shirt.

And with that, two days of music and performances passed. Metalhead Meeting proved again to be a solid festival. Here’s to the next one!

 

 

Metalhead Meeting Day I – Dirty Shirt, Sonata Arctica, Children of Bodom

July 6th. The day I stopped being a Sonata Arctica fan, but I became a Children of Bodom fan.

Metalhead Meeting opens with a day I was looking forward to for a while, as it was bringing us Sonata Arctica. That was definitely less than stellar. But it’s ok because I got to see Dirty Shirt up close and they killed it. Last but not least, I wasn’t expecting much from Children of Bodom, as I am not a fan of growling. However, I loved their set. They brought the house down in an incredible display of their powerful music.

The day started with Siska and The Colony. They weren’t helped by their early slot in what was a very warm day.

The party officially started with Dirty Shirt, our own Romanian folk metal band from Maramureș. It was the first time I saw them live and oh boy what I have been missing. I love that they have built an individual sound, and they bring us along. Their whole set was drawing people in and making them dance. They brought their A-game with songs like ¨Dirtylicious¨ or ¨Săraca inima me¨. Of course, “Hoții” came with an attached speech about the thieves politicians that lead us. On stage with them were the girls from 4Tune Quartet, who really brought it, as well. But truly, it was a great mix of tradition and metal, with its unique sound, energy, and stage presence. Dirty Shirt are worth seeing life. And they deserve to be supported for their next album, which will be launched through crowdfunding. Support them here!

Here come Sonata Arctica, a band I have loved so dearly more than ten years ago. While I wasn’t impressed by their latest materials, I was pumped to see them live for the third time. I made my way to the second row, only to be underwhelmed by the poor sound, or rather mixing. It’s something you have to face if you wanna sit in the front, but after a few songs I decided to move to the stands, where the sound was much better. As someone who has listened to their discography multiple times, it would have been hard for me to choose a worse setlist. From their more famous songs, we only got “Full Moon”, with close seconds “Paid in Full” and “The Last Amazing Grays”. But for a festival they were not headlining, you’d expect them to bring out their best of, whether ballads or power metal songs. But songs like “Shitload of Money”, “Cinderblox”, “Losing my Insanity” just fell flat with the audience. I understand that they were promoting their last album with “Life”, “Candle Lawns”, or “Closer To An Animal”.

Even with the not so stellar setlist, I felt them low in energy. They weren’t actively trying to reach out to non-fans, which is the role of a festival. For half of the show, the guitar and bass players did not move. Tony wasn’t doing his usual crazy clown routine in full, either.

I must state that this is my opinion as a long-time fan, who has seen them before and knows what they can do. Many other fans shared my view of disappointment.  It’s not that it was a bad show. I did enjoy seeing them and hearing live the songs I know and love. It was just not them at their best. Or second best. However, for someone who didn’t know them that well, it was a good show. They performed, they sang, they were out there.

 

Children of Bodom need no introduction. They are so great at what they do, which made them beloved. I was skeptical, as I don’t enjoy growls, but I am glad I saw their whole show. From the beginning, they commanded the stage and the public.  Their music just filled the air and you knew it was something special. So complex, so lively, so powerful. Their sounds was powerful enough to make a great show on its own, but they were still kicking and screaming and performing. They did it all by the book, impeccable.

Photo source: CoB Instagram

The audience responded and cheered for them. One particular cheer left them flabbergasted, as the crowd was chanting “M*ie Dragnea”. Not once, but twice, were the poor guys from CoB left to wonder what people were screaming. A freeing and vindicating moment for the public. A public which was rowdy from beginning to end, for some too much so. Constant crowdsurfing, moshpits, pushing, kicking. I pitied those who stayed in the front rows. From my seats up above in the stalls, I enjoyed the perfect concert.

The energy levels were never down during their show. They were electric and played with such enthusiasm and intensity. You name it, they played it. Want “In Your Face”, “Downfall”, or “Are you Dead Yet”? You got it! Want some “Everytime I die” or “Angels Don’t Kill” with that? Coming right up.

All in all, a good metal day of Metalhead Meeting. One with fun music, with many bands of different styles. And definitely one which belonged in its entirety to Children of Bodom.