Hamferd show from Metal Gates Festival 2019, promise to be enveloped in a unique and dark artistic ceremony that cannot be missed! The Romanian artist Costin Chioreanu will join the 6 musicians from Hamferd, on stage, for a LIVE PAINTING Session during the entire show! The theme and the dynamics of their music will lead the entire creative process of this live session and will define the final paiting. This fusion is not a random one, as Costin Chioreanu is in charge with Hamferd visual graphics since 2018.
Bucharest was definitely Brought to Life! Once again Evanescence graced us with their music and presence and we were there for it.
The night was opened by Chaos Magic, who were bringing a nice rendition of symphonic metal. The crowd was gathering surprisingly early and they did play to a lot of people. The lead singer, Caterina Nix, can really show off powerful vocals. It was a nice way to start the evening.
Next up were Veridia, who I can only describe as “Ariana Grande with guitars”, which isn’t necessarily a bad thing. I think they sounded very good and were a good choice opening up for Evanescence. But the singer had her ponytail and moved and sang like Ariana Grande :)) They were fun and I will probably listen to their material some other time. Yes, many people were upset because “it’s not truuu metal”, but I am petty like that so I want to like the band even more.
There aren’t a lot of bands that make me as nostalgic as Evanescence does. The main difference is that they still got it. The could be touring with the same setlist for the next few decades and it will not be enough. There’s nothing quite like hearing “Bring Me To Life” sang live. Yes, it was missing the male vocals. But knowing that they were only included in the song by sheer force of the label, who though Amy Lee could not anchor a song on her, I am more than happy to hear the crowd fill in and try to sing both parts at once.
Photo by Carlos Funes
The setlist moved graciously through energetic songs and heart-wrenching ballads. The audience was not all that energetic, but on softer songs like “My Immortal”, “Call Me When You’re Sober” or “Lithium”, they joined in for a very emotional rendition of the songs. As for the more energetic “Going Under”, “What You Want”, or “All That I Am Living for”, I screamed my lungs out. I cannot pretend to be the biggest Evanescence fan. I am more of a “I used to listen to it in 7th grade and I hope I still remember the lyrics” fan, but I still enjoyed the show.
An extra special moment was the last song, or rather last songs. The show ended with a medley of Haunted / My Last Breath / Cloud Nine / Everybody’s Fool / Weight of the World / Snow White Queen, a new addition for this tour.
Amy Lee did not sit still for one moment. Running from one end of the stage to the other, she lived each song and interpreted it in a way only she can. Whether she was singing and jumping around, running to the keyboard and back, she was truly mercurial. The more I see her do it, the more impressed I am with her.
Photo by Carlos Funes
She interacted with the public much more than in previous concerts and seemed genuinely happy to perform and thankful to be here. Genuine is a word that would describe her whole presence, where it is clear she is performing, but you can feel it’s really her living the show and giving her very best on each song.
She reminded us that the video for Bring Me To Life was filmed in Bucharest all those years ago. More than that, it was the first time she got a passport and traveled abroad, so Bucharest has a very special place in her heart. She later posted about it on Instagram as well.
https://www.instagram.com/p/B2cw3m6HPFX/
While I went on and on about Amy, I do have to mention the rest of the band played their very best. Musically they lived to every standard. My impression however, was that they were there just as a support for Amy. Whether they were singing on stage or somewhere off stage would not have made that big of a difference. I didn’t really get that “band” feeling. In their defense, it’s hard to catch up with Amy on stage.
The reason Evanescence is still so important all these years later is hands down because of Amy Lee’s impressive creativity. I have talked at length about her great voice and incomparable stage presence, but the real reason is just how good a songwriter she is. Her songs meant so much to us and they still do, so we’ll come back again and again to hear her sing them.
I recently discovered Tulip, an interesting and very promising new metal band coming from America. The powerful operatic vocals of singer Ashleigh really shine through the strong metal instrumental. Their style follows the recipe of symphonic metal, with strong prog influences, but it adds an extra flair, which I can only say is their American background.
I am a big fan
of symphonic metal and I could tell you wild stories about most of the bands in
the genre. However, no one has a wilder story than Tulip (and I am counting
Nightwish in here, so that says a lot).
Colin and Ashleigh come from an extremely religious reformed Christian community. They talk about the pressure to get married young, so that when they met in their mid-twenties, they had already been married to other people. They wanted to pursue music together, but that was frowned upon in their community, as they were married. After a lot of turmoil, the two of them decided to pursue a new life together, having music be a strong part of it. But that did not sit well with the church leadership who excommunicated and publicly ostracized Ashleigh. Church elders turned against them and harassed them, instructing their family and friends to stay away from them. Out of all of this came their EP, TULIP, touching on where they’ve been and how they see life.
Teen Art Out: With the songs being this personal and you having to share the story again and again, is it ever painful reliving it?
Ashleigh Semkiw: It is. But it’s worth it. Every day that we get to wake up together, every show that we get to play, every fan we get to hug afterward, makes it all so very worth all of the heartache. It melts away in those moments.
Teen Art Out: You are also working on your first full-length album. What can you share about that?
Ashleigh: It’s almost done. We’re incredibly proud of it – we started writing it as soon as the EP was finished, so it’s been marinating for a while. It continues on the themes of the human condition, of existence, of the paranormal and unexplainable. We can’t wait for you to experience it.
Teen Art Out: You’re in the middle of a long tour supporting Evergrey. How has it been so far and what have you learned about yourselves as musicians after hitting the road with your EP? Ashleigh: We have learned a lot. This was our first tour as TULIP, and though all of us have toured in other acts before, there was something special about this. There seemed to be a regular occurrence, each night as we would walk out on stage to all of these Evergrey fans, only four of us, young and some of us in neon, like “wtf is about to happen here?” – we would win those folks over in a song or less. That was really exciting for us, because we love playing live music, we’re damn good at it, and I think today, that is lacking in popular music. Being able to play an instrument is a lost art. Also – being able to observe and listen to Evergrey’s set every night, these absolute giants of Swedish Prog – we felt very lucky to witness such tremendous musicianship. They should be on every metal fan’s bucket list.
Teen Art Out: What is it about your music and everything around it that makes you feel the most fulfilled? Ashleigh: We would each have different answers but I’m sure one that we all share is connecting with an audience through art. We’re all artists, and in our society today when everyone is so polarized, being able to listen to 40 minutes of good music, to move and sing together is really extraordinary.
Teen Art Out: You sound came naturally because of your background in metal and Ashleigh’s powerful voice. However, have you been fans of symphonic metal before starting the band?
Ashleigh: Colin has always been a fan of the Scandinavian brand of melodic death metal. He also loves film-score and grew up with classical music in the home. The symphonic element adds a harmonic depth to our arrangements that you can’t get with the typical guitar, bass, drum setup. We prefer gripping chord changes that take the listener somewhere over riffs, and it’s easier to do that when you’ve got several registers to work with and lots of harmonic clarity up over the guitars.
Teen Art Out: What are some of the concerts you have been to that left the biggest impact on you?
Ashleigh: Last year we saw David Byrne‘s American Utopia tour and it blew anything we’ve ever seen out of the water. In the metal space, After the Burial and Parkway Drive put on a great show as well.
If there is one show I regret missing, it is Bon Jovi in 2011. I was decided not to miss them this time around. I heard people talk beforehand that Jon had trouble with his vocal cords and will probably not be up to the task. Vocally speaking, it was even worse than expected. In every other aspect possible, the show was great and fun and made for an amazing night.
First up on stage were Gramofone, who had to face a very torrid hour. Even with that against them, they definitely made an impact on the already thousands of people gathered there. Gramofone are such a fun indie rock band, with a soft but profound sound. They mix blues and funk just enough to create their own style. I was really happy to see them grow and now play on such a big stage and prove it is where they belong.
Next up were Firma, veterans of the Romanian music scene, but whom I had never seen before. I for one was more than impressed. They had a lot of energy and connected well with the public. They have a mixture of energy and confidence to be reserved.
During the changeover, we would see projected on the stage Bon Jovi trivia and different photos from band history or recent shows. Fans could share photos with #bonjovimoments and be featured. This was a very fun and interesting thing to keep people entertained while waiting. Another thing worth noting is just how many foreigners came to see the show. Especially in diamond circle, the front rows were filled with Americans, Russians, Finnish, Germans, Brazilians, and many more.
Bon Jovi enter the stage and the crowd goes wild. They start with the title song of their newest album, “This House Is Not For Sale”. Next up, “You Give Love a Bad Name”, with a just so slight modification in tempo and vocal line, but even that showed that Jon’s vocals were shaky.
I was sitting in the front rows and I could see that he was trying so hard and he was aware he wasn’t there like he wanted to be. He compensated 100% by moving non stop, getting the public to raise their hands, and the trademark Jon Bon Jovi smile. It took quite a few songs for him to get more comfortable.
Photo by Carlos Funes
The concert went on with songs new and old, and even if he tried, he wasn’t always there. Not just that he couldn’t reach the high notes, but he would sometimes skip some words or verses altogether. The other musicians, on the other hand, were doing a terrific job, even helping with the backup singing. The projections were such a big part of the show, and yet without upstaging the band. They didn’t need to resort to other gimmicks, the band was getting it done, with just a little extra “sparkle”. I will give it to Jon that he went big on the acoustic parts and actually landed them. Particularly on “Amen” he really hit the notes.
The set list took us through old and new songs. Hearing “It’s My Life” live is still such a wild and intense experience, even with the vocals as they were. And because we were “really good”, we got a throwback with “Runaway”, one of my favourites. Sure, there were a few “big” songs missing, but that is almost always the case. The band left the stage and remained there for more than 5 minutes, time in which the crowd just went bonkers screaming and cheering. Finally we had an encore of “Living on a Prayer”, “I’d die for you” – a request by the group of fans in the front row, and Twist And Shout.
Photo by Carlos Funes
This was a hard review to write and it took me a couple of days because I wanted to really think it through and not come in too strong. There is no debating the fact that Jon just did not deliver vocally. That doesn’t erase all his energy and charisma on stage, how hard he tried, how amazing the other musicians were, how intense the atmosphere was. It also doesn’t erase the legend that Bon Jovi is. After all, nostalgia is a seductive liar. Fans knew going in what to expect and I don’t think they feel “cheated” because they would still go to the show knowing how it was. All throughout the concert, the public was there to support the band and they enjoyed themselves. Once everything is said and done, I know I would definitely see them again.
Imi amintesc cand am mers prima oara la Alternosfera, undeva prin 2010, intr-un clubulet mic, in care nu stiu daca am fost 100 de spectatori. Abia ii descoperisem, eram mare fan, si nerabdator sa ii vad. Insa de atunci au evoluat spectaculos, si iata cum 9 ani mai tarziu, pe data de 13 iulie 2019, dupa multe alte concerte de-ale lor, a venit probabil cel mai special moment pentru ei si mai ales pentru noi toti: aniversarea a 20 de ani de activitate. 20 de ani care au cuprins 6 albume, foarte multe turnee, si zeci, poate chiar sute de mii de fani.
Am ajuns la Arenele Romane in jurul orei 19, ora oficiala de deschidere. Nu voiam sa ratez nici trupele din deschidere, pentru ca aceste ocazii sunt impulsurile de care au nevoie formatiile proaspete ca sa se faca cunoscuti. De data aceasta, baietii de la Alternosfera au adus cu ei alte 2 grupuri din Chisinau, un efort nobil de a sustine scena locala si a o ajuta sa se faca cunoscuta. Asadar, la ora 19:20 fix, incepe recitalul celor de la Flash Blood. O trupa de alternativ rock ca la manual: bine executat, cu piese care definesc curentul acesta muzical cum nu se poate mai bine. Baietii s-au simtit bine, publicul s-a simtit bine, cu siguranta a fost o experienta reusita pentru toata lumea, inclusiv pentru mine.
Ceva mai tarziu, pe la 20:30 au urmat cei de la Cronic. Publicul incepea sa se adune in numar din ce in ce mai mare, iar acesti baieti proaspeti, ce s-au format in urma cu doar 6 luni, aveau parte deja de un prim concert memorabil. Si avea sa fie memorabil si pentru noi, caci vorbim despre o alta trupa de alternativ (ce surpriza!) energica, captivanta, dar si timida. Au tinut sa le multumeasca celor de la Alternosfera personal pentru increderea si sansa oferita, iar acum si eu doresc sa le multumesc ca mi-au adus la cunostinta pe acesti baieti cu potential imens, cu care sigur ne vom mai intalni din ce in ce mai des.
Apoi, la cateva momente dupa 21:30, a venit in sfarsit randul veteranilor scenei din Chisinau sa isi faca aparitia. Cu o productie impresionanta, care a cuprins 2 tir-uri de ecrane led montante intr-un stil unic si interesant pe scena, efecte vizuale foarte bine gandite, avea sa inceapa cel mai ambitios concert al lor de pana acum. Prima piesa a fost Fantanile, piesa care te introduce lent si usor in lumea Alternosferei (sau sa ii zicem Orasul 511?), dar cu un final grandios si impresionant. Cu un playlist ambitios ce a cuprins 31 (!) de melodii, concertul a durat 2 ore si 30 minute. In tot acest timp, pe langa noul album “Arhitectul Din Babel” care a fost cantat integral, baietii au cantat piese de pe toate albumele lor, piese cunoscute si indragite de catre publicul numeros (personal estimez undeva pe la 2000 de oameni) venit sa ii vada.
Sunetul a fost impecabil, executia senzationala – iar aici trebuie sa laud din nou vocea lui Marcel Bostan care a reusit sa duca pana la final intregul concert la cel mai inalt nivel, iar toata lumea a putut simti energia transmisa de ei, astfel creandu-se o stare de euforie generala. Dupa 2 bis-uri, concertul s-a incheiat cu o varianta acustica a piesei Columb, una dintre cele mai vechi piese ale lor, timp in care toata formatia impreuna cu cei din staff au venit in fata publicului, public care nu se mai oprea din aplaudat.
A fost o seara frumoasa, reusita, iar eu m-am bucurat sa fac parte din acest moment special. Impresionant din toate punctele de vedere, lumea s-a distrat pana la ultimul strop de energie, asadar nu pot decat sa le multumesc celor de la Alternosfera ca fac asta, atat pentru ei cat si pentru noi, toti cei care suntem atinsi de muzica lor. Sa ne revedem cu bine si la cel de 30 de ani!
Miscare de conjuctura aproape astrala pentru FiRMA care va urca pe scena inainte de BON JOVI!
FiRMA se gaseste in contextul in care nu va mai putea onora invitatia de a concerta pe 22 iulie alaturi de legendara trupa britanica THE CURE, EDITORS si God Is An Astronaut, din motive logistice independente de echipa de organizare a festivalului Rock The City, formatia ajunge sa deschida concertul trupei americane BON JOVI, al carei management ii selectase initial ca trupa favorita de opening. Astfel, cunoscuta trupa romaneasca va realiza un fel de back-salt glorios pentru data de 21 iulie, in Piata Constitutiei.
“Printr-o conjuctura aproape astrala si o motivație de natura logistica, avem placerea sa concertam pe 21 iulie, (des)cantand si introducand publicul din Piata Constitutiei in atmosfera rock’n’roll, chiar inainte de a urca pe scena o formatie cu o activitate efervescenta de peste 30 de ani, pe care o admiram: BON JOVI”, au declarat membrii trupei FiRMA.
This is how the woman, the myth, the legend, Shirley Manson described the show in Bucharest on her Instagram: “Oh the insufferable glamour. But Bucharest , you were off the charts! Tonight was THE most magical, romantic, moving show of this entire tour. I can’t believe it happened. Thank you so SO much. “ And it was truly that and so much more, an emotional night with amazing music.
But let’s start with the beginning: Camioane in Mulțime (Trucks in the Crowd). This was the first time I heard the band and I was in for a treat. They saw the chance to sing on a big stage, opening for Garbage and they delivered! Their electro-alternative rock was such a great fit for the night. With their old and new songs they brought a bit back of that 2000 sound, but elevated it. Their lyrics are simple, but fun, making them a great act for those who didn’t know them before. They certainly left the stage with hundreds more fans.
And now for the main act: Garbage! The band needs no introduction, but they deserve all of the praise. They are one of those bands whose essence just cannot be translated fully in the studio and just needs to be seen on stage. They function so in sync, everything fitting together. Their music draws you, taking you in and out of time of space. As for Shirley Manson, her presence is just incomparable. She doesn’t just sing, she embodies her music and becomes it.
The setlist obviously included their more well-known Only Happy When It Rains, I think I’m Paranoid, Stupid Girl, or #1 Crush. Bleed Like Me was also included, with Shirley stating that the song represented Garbage the most, and if someone didn’t get this song, they didn’t get Garbage at all. We also got to hear a couple of songs from their most recent album: Even Though Our Love Is Doomed and Empty. The only thing we were missing was The World is Not Enough, their 1999 theme song of the eponymous James Bond movie.
Throughout the concert, the emotions were flying high. Shirley took the time again and again to thank the crowd and express her very genuine joy. I am a cynical person and usually think that is what the band says in every concert, but this time you could really see her emotion and love. This is so surreal and magical, she said, while stating that Arenele Romane is by far the most beautiful venue we have played this tour. She also mentioned they had entered the country in the morning and that we were shocked by how beautiful the country is here, it’s like so insane. the first sight I had of Romania this morning was just endless fields of sunflowers, and there were beasts in the fields and there were shepherds out early in the morning and there were horses, and I just thought we’ve come to the right place.
Arnele Romane , Bucharest! The most magical, most romantic, most moving of all our shows this tour! No idea how to thank you. You were fire.— Garbage (@garbage) June 29, 2019
But the incredible power of the band and the night doesn’t stop with music, continuing with an important social message, just as quintessential of who they are as people and as a band.
Shirley took the time to wish us Happy Pride Month and spread the good message of understanding and freedom and human rights, whether it is for rights of LGBTQ or for women. As she put it, I do what I want with my body and I will not let a politician dictate it. Men who enjoyed unprotected sex should also help us and stand up for our rights.
In the end, this was a memorable show. Big shout-out to their light system in the background, which was interesting and beautiful throughout the show. The sound was good, even if it was very loud. Great job to the organizers and a big thank you to everyone who made this show happen.
Pe 13 iulie, la Arenele Romane din Bucureti, Alternosfera te cheama la cel mai mare concert din istoria trupei. Evenimentul este prilejuit de aniversarea celor 20 de ani de la infiinare si face parte din Arhitectul din Babel Tour. In deschiderea concertului vor urca pe scena doua formatii din Republica Moldova, Cronic si FlashBlood.
Cronic este o trupa noua pe scena rock din Chisinau, aceasta fiind infiintata la inceputul acestui an pe baza unui proiect mai vechi. Baietii abordeaza un stil cu usoare influente de indie, post-punk si alternative.
In momentul de fata Cronic inseamna:
Radu Zariciuc- Voce
Adrian Punga- Tobe
Denis Lungu – Bass
Nick Stropsa – Chitara
FlashBlood vin tot din Republica Moldova si abordeaza un indie-rock cu varii influente. Formatia a luat nastere in anul 2015 iar in cei patru ani de activitate, trupa s-a remarcat prin implicarea in diverse proiecte culturale si sociale, dar si prin participarea la mai multe festivaluri din Romania si Republica Moldova. Recent, FlashBlood si-a lansat primul EP.
Asadar, pe 13 Iulie, la Arenele Romane ne vedem cu Alternosfera, Cronic si FlashBlood.
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Un eveniment BestMusic Live Concerts powered by Rock Fm
Garbage canta la Bucuresti sambata pe 29 iunie la Arenele Romane. In deschidere vor canta cei de la Camioane In Multime.
REGULI DE ACCES
Accesul in incinta Arenelor Romane se face incepand cu ora 19:00 iar concertele incep la ora 20:00. Dupa deschiderea portilor, puteti sosi la orice ora doriti pentru a va vedea trupele favorite. Concertul are loc in aer liber.
1. Este interzis accesul cu:
– sticle, conserve;
– mancare sau bauturi de orice fel;
– artificii, arme, obiecte periculoase;
– obiecte cu laser (ex. pointere, brichete cu laser);
– umbrele (va rugam in caz ca se anunta ploaie sa veniti cu pelerine);
– aparate foto/video profesionale sau semi-profesionale (cu obiectiv detasabil);
– aparate de inregistrare audio-video profesionale sau semi-profesionale;
– animale de companie;
– persoanele cu probleme de ordin medical trebuie sa aiba asupra lor dovezi clare pentru a putea intra la concert cu medicamentele necesare.
Organizatorii NU vor stoca si NU vor pazi obiectelor prezentate in lista de mai sus pe durata evenimentului!
La intrare de la Arenele Romane toti participantii vor fi perchezitionati de catre agentii de securitate.
Organizatorii informeaza publicul participant ca spectacolele includ lumini puternice ce pot afecta persoanele epileptice.
2. PROGRAM
Open Doors: 19:00
Camioane in Multime: 20:00 – 20:30
Garbage: 21:00 – 23:00
3. Accesul copiilor
– Accesul copiilor sub 7 ani este gratuit doar in zona Teren dar insotiti de un adult care are bilet.
– Accesul minorilor sub 14 ani se face doar pe baza de bilet si doar daca acestia sunt insotiti de catre un adult posesor de bilet valid.
– Organizatorii nu recomanda prezenta la concert a copiilor fara casti de protectie! Zgomotul foarte puternic poate dauna auzului celor mici.
4. Categorii de bilete si bratari
– Accesul in spatiul de eveniment va fi permis unei singure persoane pe baza biletului valid, o singura data. Biletul in baza caruia se va face accesul va trebui pastrat pe toata durata concertului.
– Parasirea perimetrului Arenelor Romane, dupa validarea biletului de acces, va fi strict interzisa. Persoanele care doresc sa paraseasca zona de eveniment o pot face, dar la iesire bratara le va fi rupta si daca doresc sa intre din nou, vor trebui sa-si cumpere alte bilete.
– Posesorii de bilete la categoriile A si B vor primi la acces bratari speciale ce le permit accesul in zona in care au bilete. Bratarile trebuie pastrate la mana, exact asa cum au fost puse, pe toata durata concertului. Bratarile nu sunt transmisibile si nu trebuie deteriorate pe intreaga perioada a evenimentului. Posesorii de bilete la categoria C nu vor primi bratara la acces.
– Categoria A – are locuri pe scaune, in tribuna, in sectoarele K si E ; categoria este limitata la 700 de bilete (capacitatea totala este de 900 de bilete, insa limitarea este pentru confortul publicului); locurile la categoria A se ocupa in ordinea sosirii si nu sunt numerotate; posesorii de biletele la categoria A au acces si la categoriile B si C.
– Categoria B – in picioare, in fata scenei; categoria este limitata la 700 de bilete pentru confortul publicului; posesorii de biletele la categoria B au acces si la categoria C unde pot gasi si locuri pe scaune; locurile pe scaunele de la categoria C se ocupa in ordinea sosirii la locatie, acestea neavand numere alocate.
– Categoria C – in picioare in spatele categoriei B sau cu locuri pe scaune in sectoarele F, G, I si J; locurile pe scaune se ocupa in ordinea sosirii la locatie, acestea neavand numere alocate; posesorii de biletele la categoria C nu au voie sa intre la categoriile A si B
BILETE:
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Garbage canta la Bucuresti sambata pe 29 iunie la Arenele Romane. Garbage au peste 25 de ani de activitate, timp in care au experimentat cu genuri dvierse, de la industrial rock la electronic rock sau grunge. Garbage este genul de formatie in care fiecare membru compune si este implicat in orice detaliu ce tine de actul artistic al trupei. Poate si din acest motiv componenta formatiei este neschimbata.
In deschidere va urca pe scena trupa Camioane in Multime.
Grupul de electro-alternative rock a fost format in anul 2000 de catre Carmen Dinca (voce) si Emanuel Gheorghe “Fisa” (chitara, clape, productie). In 2002 apare albumul “Plastic” de pe care se remarca piesele “Toxic”, “Varianta 3”, “Plastic”, “Umbra”.
In 2005 trupa isi inceteaza activitatea. Revine in 2015 cu piese noi, “Fraiera Ta”, “Manifest “si un remake la “Plastic”. Cea mai noua piesa se numeste “Fara Oxigen”. Componenta actuala: Carmen Dinca – voce, Emanuel Gheorghe “Fisa” – chitara si clape, Matei Capitanu – bass si Alex Dinita – tobe.
Cu cele 6 albume de studio lansate, Garbage au atins vanzari de peste 17 milioane si au primit pana acum 18 Discuri de Platina, 10 Discuri de Aur si 1 Disc de Argint. Muzica lor le-a adus 7 nominalizari la Premiile Grammy, 2 nominalizari la BRIT Awards si peste 10 nominalizari la MTV Awards.
Formatia a ajuns rapid in preferintele fanilor, primul lor turneu mondial avand loc la doar doi ani dupa infiintare, in 1995 si a durat mai mult de 1 an de zile timp in care au sustinut concerte in America de Nord, Asia, Europa si Australia, In toata aceasta perioada au cantat alaturi de formatii precum Smashing Pumpkins, Fun Lovin’ Criminals sau Placebo.
In cei 26 de ani de activitate Garbage a sustinut concerte in America de Nord si America Latina, in Europa si Africa, in Australia si in Asia, petrecand peste 5 ani in turnee.
Inspirati de artisti precum David Bowie, Blondie, Curve, The Smashing Pumpkins sau Iggy Pop, dupa 26 de ani de scena Garbage a ajuns actul artistic care la randul sau inspira alte formatii.
Biletele au urmatoarele preturi:
– Presale: 110 lei Cat C, 150 lei Cat B, 205 lei Cat A + taxe 5 lei
– La acces: 130 lei Cat C, 170 lei Cat B, 220 lei Cat A
Cat A – cu loc pe scaun in sectoarele K si E. Include bratara textila cu artistul, poster color si acces in locatie cu 30 de minute inainte
Cat B – fara loc, in fata scenei. Include bratara textila cu artistul
Cat C – cu loc sau fara loc in spatele categoriei B, in Arena
La pretul tuturor biletelor comandate in earlybird si presale se adauga taxa de 5 lei.
Pentru acest show datorita configuratiei speciale a evenimentului, se pun in vanzare doar 3500 de bilete. Numarul de bilete din Cat A si Cat B e limitat la 500 de bucati din fiecare categorie.
Biletele se gasesc in format electronic pe www.iabilet.ro si in magazinele Flanco, Diverta, Carturesti, Metrou Unirii 1, Muzica, IQ BOX, Uman, Libmag, Casa de Balet si pe terminalele Selfpay. Online, puteti plati cu cardul, Paypal, pe factura la Vodafone sau Orange sau ramburs prin Fan Courier oriunde in tara.
