You know, December was fun, holidays and all, but did you ever go to an Amorphis show in January? One that was announced in August 2018? The hype is real, I am telling you. So, on this very cold evening of 22 January, in the year of Metallica/Slayer and others big gigs, I ice-skated my way to Arenele Romane, the Venue where the first big show of the year would take place. An interesting mix of Soilwork, Jinger and Nailed to Obscurity starring the finish classics of Amorphis.
Nailed to Obscurity, photo by Carlos Funes
Nailed to Obscurity is a band I didn’t know. Saw them on the poster and thought I’ll give them the live chance, so I got there shortly after they started playing (on schedule). They caught my attention really fast, as I was quite confused about what I was listening to. Went there for some melodic death metal and got some really nice mellow parts and clean vocals, combined with heavy guitar riffs and heavy drums (specific to the genre). Their approach to this style is definitely unique, with many twist and turns which gets you caught in a spiderweb. Even though I fell in love with their latest album “Black Frost”, which might be the apex of their “experiments”, I am eagerly waiting for a fifth studio album. Other than that, the show was really good, from Raimund’s voice (which happens to have a wide-range in it, with smooth transitions from low growls to clean), to a very good sound, low dark lights and lots of energy and smiles. I am sure they already had many fans in the audience but everyone loved them, overall.
Jinger was a bit “outside” the line-up but still, put a hell of a show. Under some green and yellow cold lights, Tatiana showed again her great vocals skills, singing both with clean vocals and growls, with a contrast one has never seen before. It is really impressive how easy it seems for her to go from brutal, fast, low growl and high screams, to girlie clean vocals, a thing that can be enjoyed at its best on “Pisces”. The metalcore/progressive band was the twist of the night, one that the audience loved, but of course, Jinger has a pretty big fanbase in Romania. Still, there wasn’t a lot of movement from the band on stage except for Tatiana, who kicks and punches and engages the crowd like a Xena of metal. The band knows their craft and they absolutely shred live, from the riffs to the intricate bass to the percussions and the dive-bombing bass drops, the band was on point.
About Soilwork I can say one thing: they are better live than on record, which was clear from the start, as they got the’s crowd attention within seconds. Dave and Sylvain’s guitars wove an amazing mesh of riffs that match perfectly with Sven’s keyboards. On the other side, Bjorn’s vocals are the power behind every moshpit. As the night was getting closer to the end, the venue was already boiling and getting really crowded, so the band had plenty to work with. Soilwork is all about power and energy and they managed to give us a great collection of old and new songs from the treasure trove that is the band’s back catalogue. Also, the chemistry between those up onstage and those in the audience is very real and pretty catchy. No matter how much you’ll try to get over and focus on something else, you’ll fail. The show was a full-speed ride.
After a short soundcheck and a session of equipment moving, Amorphis finally came on the stage. Well, not immediately, but after a short tease with the intro from „The Bee”. The tension was growing and the public became really impatient as we all were waiting for Tomi Joutsen to take over. The concert started exactly as the song goes, with a wave of power and energy. We got the chance to enjoy songs from “Queen of Time” as Wrong Direction or Message in the Amber, but also some old “trademark”Amorphis songs. Silver Bride brought a general emotional state in the audience while House of Sleep raised all of our voices (not only when Tomi passed the microphone). There are some particular things that make Amorphis really impressive in a… different way. Their music has lots of soul and feeling, so the shows are usually full rides through hell and heaven. The connection between the band and the audience is also fantastic and you always get this feeling of “intimacy”. Also, their live performance is so close to the recorded version, it hurts, no matter the venue or the location. This is a plus that makes every show more than a live experience. You resonate with the band, being on stage, you can see them, you can feel them (because the guys are very expressive and intense while they play) but also get covered in emotions as you hear live what you’re used to hearing in your earphones, ‘cause that’s where the journey of a fan usually begins.
Regarding the organization, can’t really complain about much. The venue was properly heated, the entrance had decent traffic so people didn’t have to stay in cold too much. The bars were, as usual, always busy, with long lines, so maybe some more people on that area next time. Also, the merch stand was pretty impressive, with a wide range of possibilities (Amorphis and Jinger had some really nice t-shirt designs). Other than that, the sound and the lights were flawless. Congratulations to the engineers and everyone who made this happen. We’re off to a good year!
Norwegian progressive Rock group LEPROUS are releasing a new digital single and video clip (Directed by Costin Chioreanu / Twilight13Media) of their cover version of “Angel” by Massive Attack today.
LEPROUS frontman Einar Solberg checked in with the following comment about “Angel”:
“There’s a first for everything, LEPROUS has made a cover version! Massive Attack has always been a big influence on me. To make something so rich out of something so simple has been their trademark, and it’s something with their atmosphere that just hits the right nerve in me. We’ve been playing this one live for a few months, and we’re super excited to finally release the song!“
After having toured restlessly across European and North America, LEPROUS are now delighted to debut in Latin America next month as next step of their touring cycle for their current and much acclaimed album release “Malina”. Here is a list of all upcoming dates for 2019 announced so far:
LEPROUS Live 2019: 22.02.2019 Drammen (Norway) – Union Scene
LEPROUS – Latin American Tour 2019: 28.02.2019 Guadalajara (Mexico) – C3 Stage 01.03.2019 Mexico City (Mexico) – Plaza Condesa 02.03.2019 Bogota (Colombia) – Ace Of Spades 03.03.2019 Lima (Peru) – Centro Amistad Peruano China 05.03.2019 Santiago (Chile) – Club Chocolate 07.03.2019 Santiago (Chile) – Club Chocolate 08.03.2019 Buenos Aires (Argentina) – El Teatrito 10.03.2019 Sao Paulo (Brazil) – Carioca Club
“Malina” hit various sales charts upon release: Germany: # 34, The Netherlands: # 68, Finland: # 23, Switzerland: # 39, Austria: # 42, Belgium (Flemish): # 52, Sweden Physical Album Chart: #29, Sweden Vinyl Charts: # 14, UK Rock Album Chart: # 19, USA Billboard Heatseekers: # 21 and USA Billboard Current Albums: # 190.
“Malina” is still available as Jewelcase CD and Digital Download, but also as limited edition Mediabook CD (+ extended booklet & bonus-track) and as Gatefold 2LP on 180gr. vinyl (+ poster, bonus-track & entire album on CD), also as limited coloured editions.
Canadian heavy music artist Devin Townsend has officially announced the release of his forthcoming new album ‘EMPATH’ for the 29th March 2019.
In the lead up to the album’s release, Devin will walk fans through how ‘EMPATH’ came together with a series of documentary episodes recorded as phone conversations during the course of the albums recording. Watch him explain more in this video: https://youtu.be/lZBcGuM_UpE
Devin comments: “Hello everybody, this is Devin Townsend and I would like to formally announce that after almost a year and a half of working, I have finished ‘EMPATH’. Now this record has taken me down a lot of very interesting psychological and technical avenues and the process was documented from the very get-go by a series of documentary videos that I have done, that outline everything from the gestation of the idea to the actualisation of it, through all the existential ups and downs that went on. As such this record is different to any record that I have released thus far, and trying to get people on board for what it is versus what it isn’t, I think needs to be dealt with in a different way. Stay tuned for the making of ‘EMPATH’ – the video series.“
Over the past few years, the success that Devin has slowly worked for has fortunately come with the power to control his own creative destiny. The recent successes with the DVD from a sold-out Royal Albert hall, or his 2012 ‘Retinal Circus’, or last year’s ‘Ocean Machine’ live DVD with the Orchestra and Choir of State Opera Plovdiv has put him in a position where with the new album ‘EMPATH’, he will once and for all define himself as a musical force outside of any particular genre classification.
On this album Devin has decided to see what would happen if all the styles that make up his current interests were finally represented in one place. To finally shake the fear of expectation, and just do what it is he was meant to do creatively, ‘EMPATH’, true to the name, is about allowing the audience a feeling for a variety of musical emotions. The musical dynamics represented on this single album are broad, challenging, and immense. To approach this sort of work with a long history of what makes heavy music ‘heavy’, allows this to be done with a type of power rarely heard.
Joining Devin on this album is Frank Zappa alumni Mike Keneally as music director, as well as Morgan Ågren (Mats And Morgan, Frank Zappa, Fredrik Thordendal), Anup Sastry (Monuments, Periphery), Samus Paulicelli (Decrepit Birth, Abigail Williams), Nathan Navarro, Elliot Desagnes, Steve Vai, Chad Kroeger, Anneke Van Giersbergen, Ché Aimee Dorval, Ryan Dhale and the Elektra Women’s Choir.
A bold statement with massive production values and dynamic, uncompromised musicality. This is a statement about not only pursuing creative freedom in a conservative scene, but also trying to show that heavy music is truly a valid musical tool.
‘EMPATH’ will be released on Limited 2 CD Digipak (including an entire disc of bonus material), Standard CD Jewelcase, Gatefold 180G 2LP Vinyl + CD + LP-booklet & as digital album. The full track-listing is as follows: 1. Castaway 2. Genesis 3. Spirits Will Collide 4. Evermore 5. Sprite 6. Hear Me 7. Why 8. Borderlands 9. Requiem 10. Singularity Part 1 – Adrift 11. Singularity Part 2 – I Am I 12. Singularity Part 3 – There Be Monsters 13. Singularity Part 4 – Curious Gods 14. Singularity Part 5 – Silicon Scientists 15. Singularity Part 6 – Here Comes The Sun Last year Devin announced a special ‘An Evening With’ tour that would see him performing acoustically, as well as taking part in a fan Q&A at each show.
The full list of dates are as follows, many of which are already sold out:
7th March – The Piano Man Jazz Club, New Delhi, India SOLD OUT 8th March – Levi’s Lounge, Mumbai, India SOLD OUT 29th March – Savoy Theater, Helsinki, Finland SOLD OUT 30th March – Savoy Theater, Helsinki, Finland SOLD OUT 31st March – Sodra Teatern, Stockholm, Sweden SOLD OUT 1st April – Edderkoppen, Oslo, Norway SOLD OUT 2nd April – Bremen Theater, Copenhagen, Denmark 4th April – PassionKirchhe, Berlin, Germany 5th April – Stodola, Warsaw, Poland 6th April – La Fabrica, Prague, Czech Republic SOLD OUT 7th April – Freiheiz, Munich, Germany SOLD OUT 9th April – Kulturkirche, Cologne, Germany SOLD OUT 10th April – Grunspan, Hamburg, Germany 11th April – Bravo Kerk, Haarlem, Netherlands SOLD OUT 13th April – Reading 3, Tel Aviv, Israel 24th April – Bush Hall, London, UK SOLD OUT 25th April – Bush Hall, London, UK SOLD OUT 26th April – St George’s, Bristol, UK SOLD OUT 27th April – City Varieties, Leeds, UK SOLD OUT 29th April – Jam House, Edinburgh, UK SOLD OUT 30th April – Glee Club, Birmingham, UK SOLD OUT
Devin’s varied back catalogue is also being celebrated with lavish vinyl box-sets under the name of ERAS. Having already released parts 1 and 2 earlier in early 2018, the end of the year saw the release of part 3, which features some of his most recent work with Devin Townsend Project, including the albums ‘Accelerated Evolution’, ‘Epicloud’, ‘Sky Blue’, ‘Transcendence’ & the first ever vinyl release of the second part of the DTP’s now legendary Royal Albert Hall show. Order your copy of this deluxe 10 LP box-set here: https://devintownsendproject.lnk.to/ErasIII
‘When Legends Rise’ este titlul noului material semnat Godsmack iar formatia din State au scos si un clip pentru piesa care da numele albumului.
“It was just about evolving as a songwriter. I wanted to stretch my wings out even further to use all the experiences I’ve had with writing different types of music over the years and applying that to find a way to introduce a newer, fresher, more mature sound, but still maintaining the power of GODSMACK.”
Cu Godsmack ne vedem la Arenele Romane din Bucuresti pe 31 martie (Showul este SOLD OUT) 1 Aprilie.
Biletele se gasesc in format electronic pe www.iabilet.ro si in reteaua fizica iabilet.ro/retea: Magazinele Flanco, Diverta, Hard Rock Cafe, Cafe Deko, Club Vintage, Club Quantic, Expirat Halele Carol (in intervalul orar: 18:00-22:00), Beraria H, Metrou Unirii 1 langa casa de bilete Metrorex, Magazinul Muzica, Magazinele IQ BOX – Telekom, Agentiile Perfect Tour, Magazinele Uman, sediul librariei Libmag (Bulevardul I.C. Bratianu, nr. 6, Sector 3), Casa de balet si pe terminalele Selfpay din toata tara.
Biletele au urmatoarele preturi:
Golden Circle (fara loc in fata scenei) – 180 lei in earlybird, 205 lei in presale si 220 la intrare + taxe 10 lei
Acces General (fara loc, in arena) – 145 lei in earlybird, 165 in presale si 180 la intrare + taxe 10 lei
Primele 300 de bilete au pret special in oferta earlybird!
La pretul tuturor biletelor comandate in earlybird si presale se adauga comisionul de emitere bilet de 10 lei.
Se pun in vanzare doar 1800 de bilete iar la Golden Circle sunt doar 400 de locuri. Concertul are loc in cort incalzit.
Bullet For My Valentine revin la Bucuresti pe 8 aprilie 2019 la Arenele Romane (cort incalzit). Biletele s-au pus in vanzare astazi, 11 Ianuarie de la ora 10:00 la urmatoarele preturi:
Golden Circle (fara loc in fata scenei) – 185 lei in earlybird, 205 lei in presale si 220 la intrare + taxe 10 lei
– Acces General (fara loc, in arena) – 145 lei in earlybird, 165 in presale si 180 la intrare + taxe 10 lei
Perioada earlybird este limitata la primele 500 de bilete.
La pretul tuturor biletelor comandate in earlybird si presale se adauga comisionul de emitere bilet de 10 lei.
Se pun in vanzare doar 400 de bilete Golden Circle si 1200 de bilete Acces General.
Biletele se gasesc in format electronic pe www.iabilet.ro si in reteaua fizica iabilet.ro/retea:
Magazinele Flanco, Diverta, Hard Rock Cafe, Cafe Deko, Club Vintage,
Club Quantic, Expirat Halele Carol (in intervalul orar: 18:00-22:00),
Beraria H, Metrou Unirii 1 langa casa de bilete Metrorex, Magazinul
Muzica, Magazinele IQ BOX – Telekom, Agentiile Perfect Tour, Magazinele
Uman, sediul librariei Libmag (Bulevardul I.C. Bratianu, nr. 6, Sector
3), Casa de balet si pe terminalele Selfpay din toata tara.
Online pe www.iabilet.ro, puteti
plati cu Cardul, prin Paypal, pe factura la Vodafone sau Orange cu plata
la sfarsitul lunii sau ramburs cu plata cash prin Fan Courier oriunde
in tara.
Bullet For My Valentine revin la
București pe 8 aprilie 2019 la Arenele Romane (cort încălzit). Biletele
se pun în vânzare vineri, 11 ianuarie, la ora 10:00.
Bullet for My Valentine au 20 de ani de activitate, totul începând în Bridgend din Țara Galilor. Inițial formația s-a numit Jeff Killed John și au început prin a face cover-uri după piese Metallica și Nirvana. Au activat sub acest nume până în 2003. Pe 3 Octombrie 2005 au lansat primul album în UK și pe 14 Februarie 2006 în Statele Unite. După această lansare și după primul Disc de Aur din SUA au urmat prezente la festivalul Download și Kerrang! dar și un turneu cu Rob Zombie.
Dacă primul album debuta pe locul 128 în Billboard 200, următorul, ‘Scream Aim Fire’, lansat pe pe 29 Inauarie a debutat direct pe locul 4 iar cel de al treilea material, ‘Fever’, a ajuns pe locul 3 în Billboard 200. Până în prezent Bulltet for My Valentine a lansat 6 albume, cel mai recent fiind Gravity, material lansat pe 29 Iunie 2018. Până acum formația are 5 Discuri de Aur și milioane de albume vândute în întreaga lume. De-a
lungul vremii au primit numeroase premii de la Metal Hammer și
Kerrang!, printre care cea mai bună formație britanică (2006, 2010), Cel
mai bun newcomer din Marea Britanie (2005), Best Live Band (2010) și
multe altele.
Întrebați ce artiști i-au influențat,
aceștia au declarat că printre formațiile care și-au pus amprenta asupra
stilului lor muzical se numără Metallica, Slayer și Iron Maiden.
În momentul de față Bullet for My Valentine înseamnă: Matthew
“Matt” Tuck – voce/chitară; Michael “Padge” Paget – chitară/backing
vocals; Jamie Mathias – bass/voce; Jason Bowld – tobe. h
Prețurile biletelor
Biletele se pun în vânzare vineri pe 11 ianuarie la ora 10:00 și au următoarele prețuri:
– Golden Circle (fără loc în fața scenei) – 185 lei în earlybird, 205 lei în presale și 220 laintrare + taxe 10 lei
– Acces General (fără loc, în arenă) – 145 lei în earlybird, 165 în presale și 180 laintrare + taxe 10 lei
Perioada earlybird este limitată
la primele 500 de bilete. La prețul tuturor biletelor comandate în
earlybird și presale se adaugă comisionul de emitere bilet de 10 lei.
Se pun în vânzare doar 400 de bilete Golden Circle și 1.200 de bilete Acces General.
Biletele se găsesc în format electronic pe www.iabilet.ro și în rețeaua fizică iabilet.ro/retea: Magazinele Flanco, Diverta, Hard Rock Cafe, Cafe Deko, Club Vintage, Club Quantic, Expirat Halele Carol (în intervalul orar: 18:00-22:00), Berăria H, Metrou Unirii 1 lângă casa de bilete Metrorex, Magazinul Muzica, Magazinele IQ BOX – Telekom, Agențiile Perfect Tour, Magazinele Uman, sediul librăriei Libmag (Bulevardul I.C. Brătianu, nr. 6, Sector 3), Casa de balet și pe terminalele Selfpay din toată țara.
Online pe www.iabilet.ro, puteți plăti
cu Cardul, prin Paypal, pe factură la Vodafone sau Orange cu plata la
sfârșitul lunii sau ramburs cu plata cash prin Fan Courier oriunde în
țară.
– Intră în comunitatea celor pentru care muzica e o parte importantă di
Bullet For My Valentine revin la Bucuresti pe 8 aprilie 2019 la Arenele Romane (cort incalzit). Biletele se pun in vanzare vineri pe 11 ianuarie la ora 10:00.
Bullet for My Valentine sau mai pe scurt BFMV au 20 de ani de activitate, totul incepand in Bridgend din Tara Galilor. Initial formatia s-a numit Jeff Killed John si au inceput prin a face cover-uri dupa piese Metallica si Nirvana. Au activat sub acest nume pana in 2003. Pe 3 Octombrie 2005 au lansat primul album in UK si pe 14 Februarie 2006 in Statele Unite. Dupa aceasta lansare si dupa primul Disc de Aur din SUA, au urmat prezente la festivalul Download si Kerrang! dar si un turneu cu Rob Zombie.
Daca primul album debuta pe locul 128 in Billboard 200, urmatorul, ‘Scream Aim Fire’ lansat pe pe 29 Inauarie a debutat direct pe locul 4 iar cel de al treilea material, ‘Fever’ a ajuns pe locul 3 in Billboard 200. Pana in prezent Bulltet for My Valentine a lansat 6 albume, cel mai recent fiind Gravity, material lansat pe 29 Iunie 2018. Pana acum formatia are 5 Discuri de Aur si milioane de albume vandute in intreaga lume. De-a lungul vremii au primit numeroase premii de la Metal Hammer si Kerrang!, printre care cea mai buna formatie britanica (2006, 2010), Cel mai bun newcomer din Marea Britanie (2005), Best Live Band (2010) si multe altele.
Intrebati ce artisti i-au influentat, acestia au declarat ca printre formatiile care si-au pus amprenta asupra stilului lor muzical se numara Metallica, Slayer si Iron Maiden. In momentul de fata Bullet for My Valentine inseamna: Matthew “Matt” Tuck – voce/chitara Michael “Padge” Paget – chitara/backing vocals Jamie Mathias – bass/voce Jason Bowld – tobe
Biletele se pun in vanzare vineri pe 11 ianuarie la ora 10:00 si au urmatoarele preturi: – Golden Circle (fara loc in fata scenei) – 185 lei in earlybird, 205 lei in presale si 220 la intrare + taxe 10 lei – Acces General (fara loc, in arena) – 145 lei in earlybird, 165 in presale si 180 la intrare + taxe 10 leiPerioada earlybird este limitata la primele 500 de bilete.
La pretul tuturor biletelor comandate in earlybird si presale se adauga comisionul de emitere bilet de 10 lei.Se pun in vanzare doar 400 de bilete Golden Circle si 1200 de bilete Acces General.Biletele se gasesc in format electronic pe www.iabilet.ro si in reteaua fizica iabilet.ro/retea: Magazinele Flanco, Diverta, Hard Rock Cafe, Cafe Deko, Club Vintage, Club Quantic, Expirat Halele Carol (in intervalul orar: 18:00-22:00), Beraria H, Metrou Unirii 1 langa casa de bilete Metrorex, Magazinul Muzica, Magazinele IQ BOX – Telekom, Agentiile Perfect Tour, Magazinele Uman, sediul librariei Libmag (Bulevardul I.C. Bratianu, nr. 6, Sector 3), Casa de balet si pe terminalele Selfpay din toata tara.Online pe www.iabilet.ro, puteti plati cu Cardul, prin Paypal, pe factura la Vodafone sau Orange cu plata la sfarsitul lunii sau ramburs cu plata cash prin Fan Courier oriunde in tara.
Finlandezii de la Amorphis se reintorc la București pe data 22 Ianuarie, alături de Soilwork și Jinger, la Arenele Romane (cort încălzit), în cadrul turneului de prezentare al celui mai recent material al trupei: “Queen of Time”. În deschidere vor cânta Nailed to Obscurity.
PROGRAM ȘI REGULI DE ACCES
ATENȚIE: FUMATUL în cortul încălzit al Arenelor Romane este interzis, dar permis doar în locurile special amenajate.
Porțile Arenelor Romane se deschid la ora 17:30 iar concertele încep la ora 18:10.
Accesul se face prin intrarea din parc a Arenelor Romane (cea mare, standard, de jos) și fiecare categorie de bilet va avea câte un coridor special. Accesul se face începând cu ora 17:30 dar puțeti veni la orice oră, porțile fiind deschise până la finalul concertului.
Odată intrați în incinta Arenelor Romane nu puteți părăsi locația decât în caz de urgență. În caz contrar va trebui să cumpărați un alt bilet.
Accesul copiilor sub 7 ani este gratuit si este permis doar daca acestia sunt insotiti de unul dintre parinti, posesor al unui bilet valid. De asemenea, organizatorii recomanda, pentru a inlatura orice dubii, prezentarea la intrare a unui act doveditor al varstei copilului (copie). Va recomandam sa aduceti casti speciale pentru protectia auzului copilului. Volumul puternic poate afecta auzul celor mici.
Accesul minorilor cu varste sub 14 ani este permis pe baza de bilet si
doar insotiti de un adult posesor de bilet valid.
Zona de concert are o singura zona de acces si cinci iesiri de siguranta
marcate ca atare. Normele de siguranta le gasiti mai jos. La locatie va
fi prezent un punct de prim ajutor.
INFORMATII UTILE
Este interzis in zona de concert:
accesul cu arme sau obiecte periculoase
accesul cu alcool sau alte bauturi si alimente din exteriorul zonei de
festival.
accesul cu materiale inflamabile, canistre pe gaz sau masini de gatit
de orice fel
umbrele (concertul are loc in cort incalzit)
aparate foto profesionale sau semi-profesionale (cu obiectiv
detasabil);
aparate de inregistrare audio-video profesionale sau
semi-profesionale.
De asemenea va rugam sa lasati animalele de companie acasa. Nu vor fi
puse la dispozitie zone pentru depozitarea obiectelor de valoare dar ne
bazam pe buna educatie si bunul simt al participantilor la festival.
PROGRAM
Open doors: 17:30
Nailed to Obscurity:18:10 – 18:45
Jinjer:19:00 – 19:45
Soilwork: 20:15 – 21:30
Amorphis:22:00 – 23:15
OBLIGATIILE PUBLICULUI
-sa respecte masurile de aparare impotriva incendiilor, stabilite de SC
Sfinx Experience SRL;
-sa nu introduca sau sa nu incerce introducerea in incinta de faclii,
artificii, petarde, torte, recipiente, materiale incendiare ori
fumigene, substante toxice, substante iritant-lacrimogene sau cu efect
paralizant (ori alte asemenea materiale, substante sau obiecte), obiecte
artizanale si de distractie, pe baza de amestecuri pirotehnice,
artificii din categoria “obiecte zburatoare luminoase”, pocnitori ori
altele asemenea ce pot favoriza producerea si propagarea incendiilor;
-sa nu aduca in stare de neutilizare, indiferent de mod, semnele,
afisele, marcajele sau altele asemenea, destinate apararii impotriva
incendiilor aflate in incinta;
-sa nu aduca in stare de neutilizare, indiferent de mod, mijloacele
tehnice de aparare impotriva incendiilor aflate in incinta;
-publicului ii este interzis sa dezlipeasca sau sa distruga reclamele,
anunturile si afisele expuse de organizator in incinta ansamblului
construit, precum si sa deterioreze, sa ridice sau sa mute semnele ori
indicatoarele amplasate de organizator, pentru facilitarea accesului in
incinta, a evacuarii persoanelor, a interventiei in situatii de urgenta
sau a celor care semnaleaza existenta unui pericol pentru viata
persoanelor;
-sa fumeze numai in locurile fara pericol de incendiu, special amenajate
si marcate.
Biletele se gasesc in format electronic pe www.iabilet.ro si in reteaua fizica IABILET.RO: Magazinele Flanco, Diverta, Hard Rock Cafe, Cafe Deko, Club Vintage, Club Quantic, Expirat Halele Carol (in intervalul orar: 18:00-22:00), Beraria H, Metrou Unirii 1 langa casa de bilete Metrorex, Magazinul Muzica, Magazinele IQ BOX – Telekom, Agentiile Perfect Tour, Magazinele Uman, sediul librariei Libmag (Bulevardul I.C. Bratianu, nr. 6, Sector 3), Casa de balet si pe terminalele Selfpay din toata tara si au urmatoarele preturi.
presale: 100 lei Acces General si 155 lei Golden Circle pana pe 5
ianuarie
presale: 110 lei Acces General si 170 lei Golden Circle pana pe 22
ianuarie
la intrare: 120 lei Acces General si 186 lei Golden Circle
